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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Red Giant introduces Dynamic Fluids in Trapcode Su

October 30, 2018, 12:17 PM

https://www.provideocoalition.com/red-giant-introd...

The introduction of Dynamics Fluids in Trapcode Suite 15 means that for the first time ever, artists can create particle systems within After Effects that interact in a realistic fluid environment.

New Vector Motion Effect in Premiere Pro CC 2019

October 30, 2018, 11:59 AM

https://www.premierebro.com/premiere-in-post/new-v...

New Vector Motion Effect In Premiere Pro Keeps Your Graphics Sharp, Crisp, And Boundary Free. Learn how to prevent unwanted pixelation and cropping on your titles and graphics with the new Vector Motion effect in Premiere Pro CC 2019.

#editing#adobe#premiere pro#premiere#graphics
Joe Walker on the Mistake New Editors Make

October 30, 2018, 08:55 AM

https://www.mentorless.com/2018/10/30/editor-joe-w...

I listened to an interview with Joe Walker, Steve McQueen, and Denis Villeneuve go-to editor, who explained his process working with these two directors, that consists in doing a lot of pre-screenings throughout the whole editing to get a chemical feel of how the audience is reacting, and in working with little footage. (Walker called McQueen and Villeneuve “economical” directors who shoot with a single camera 3 to 4 takes, which already lays out a lot of the groundwork for him.)

Tom Cross talks about editing First Man

October 30, 2018, 06:06 AM

https://postperspective.com/tom-cross-talks-editin...

By Barry Goch As a child, First Man editor Tom Cross was fascinated with special effects and visual effects in films. So much so that he would take out library books that went behind the scenes on movies and focused on special effects. He had a particular interest in the artists who made miniature spacecraft, Continue reading → October 29, 2018 The post Tom Cross talks about editing First Man appeared first on Randi Altman's postPerspective.

Solutions to Resolve PT 4: Don’t clip your proxi

October 29, 2018, 08:48 AM

https://www.provideocoalition.com/solutions-to-res...

This article is about the difference between Full data and Video levels and how Resolve’s video pipeline deals with them. Most of the time this is an automatic process and there’s nothing to do, but there can be problems with clipping when you’re not grading with Resolve but just using it to transcode your rushes or to make proxies.

Slice (2018)

October 29, 2018, 04:59 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“So you're telling me that my pizza place is built on a gateway to hell?” — Jack ...

ART OF THE CUT with Oscar-nominated, Tariq Anwar

October 29, 2018, 04:58 AM

https://www.provideocoalition.com/aotc-anwar

Tariq Anwar was born in New Delhi, India, and grew up in London. At the beginning of his career, in the early 1970s, he worked as an editor at the BBC. That time included editing a whole range of programmes: News, Documentaries, Light Entertainment and on several BAFTA nominated drama productions. His feature film work includes American Beauty, for which he was nominated for an Oscar for editing and an ACE Eddie. He also cut The King’s Speech, which was similarly nominated for an Oscar, a BAFT...

VIEW Conference 2018 – Interview Roundup

October 29, 2018, 04:58 AM

http://cinefex.com/blog/view-conference-2018-inter...

From 22-26 October, 2018, the Italian city of Turin hosted the 19th international VIEW Conference, celebrating visual effects, computer graphics, interactive techniques, digital cinema, animation, virtual and augmented reality, and gaming. Cinefex was there through the week, enjoying a host of presentations on some of the latest achievements and trends in visual effects and other disciplines.

SMPTE 2018: Oscar-winner Tom Scott

October 28, 2018, 07:45 AM

https://www.youtube.com/watch?v=0xfajdZQC70

We caught up with SMPTE fellow and Oscar-winner Tom Scott outside the Fellows Lunch during SMPTE. He is the owner of two Oscars for Best Sound — Amadeus and The Right Stuff.

How to use animation in reality TV

October 27, 2018, 08:58 AM

https://postperspective.com/how-to-use-animation-i...

By Aline Maalouf The world of animation is changing and evolving at a rapid pace — bringing photorealistic imagery to the small screen and the big screen — animation that is rendered with such detail, you can imagine the exact sensation of the water, feel the heat of the sunshine and experience the wilderness. Continue reading → October 26, 2018 The post How to use animation in reality TV appeared first on Randi Altman's postPerspective.

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