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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Reverse-Speed-Motion-Effect Parameter -100% in an

June 13, 2015, 04:27 AM

https://blogs.creativecow.net/blog/13755/reversesp...

In an Interlaced Video Media Composer Project to create a reverse video motion effect. Load a master clip into the "Source Monitor", select the segment by making an in and out mark and click on the motion effect icon. Type in -100%.

tapeless source 29.97fps with either a 2:2:2:4, 2:

June 13, 2015, 04:27 AM

https://blogs.creativecow.net/blog/13764/tapeless-...

Source Files that are 29.97 fps and have a cadence of either a 2:2:2:4, 2:3:3:2, 2:3:2:3 can be set up for on-the-fly extraction to a 2:2:2:2.

TRUFFAUT/HITCHCOCK, HITCHCOCK/TRUFFAUT, and the Bi

June 12, 2015, 01:12 PM

http://www.davidbordwell.net/blog/2015/06/12/truff...

Photo by Philippe Halsman. I’m going through a Hitchcockian period; every week I go and see again two or three of those films of his that have been reissued; there’s no doubt at all, he’s the greatest, the most complete, the most illuminating, the most beautiful, the most powerful, the most experimental and the luckiest; […]

FotoKem Makes Significant Commitment to New High-R

June 11, 2015, 05:21 PM

http://feeds.avid.com/~r/AvidPressRoom/~3/TlOzwGUo...

Major Los Angeles post-production house becomes first Avid Artist | DNxIO customer with purchase of 100 interfaces to meet the growing demands of high-resolution content production

10 Questions for Jon Chappell & Digital Rebellion

June 11, 2015, 11:04 AM

http://www.aotg.com/index.php?page=digital_rebelli...

We sat down for a chat with Jon Chappell, owner of digitalrebellion.com, about their plugins, apps, and the cloud service Kollaborate.

Gary Adcock on using Thunderbolt storage for 4K wo

June 11, 2015, 09:25 AM

http://www.videoguys.com/blog/3d-4k/gary-adcock-on...

Gary Adcock is an industry expert who has been sharing tips and tricks on video editing workflows for years.  In this video he walks us through his 4K workflow using Thunderbolt 2 storage. He points out the cost advantage of using Thuinderbolt and the emergence of Thunderbolt on Windows based computers.  Gary is a big Read More The post Gary Adcock on using Thunderbolt storage for 4K workflows appeared first on Videoguys Blog.

OS X El Capitan AV Foundation adds movie editing t

June 11, 2015, 09:24 AM

http://alex4d.com/notes/item/os-x-el-capitan-av-fo...

The Apple WWDC 15 session video on AV Foundation shows there are new features for developers who want to manipulate QuickTime movies on the Mac. This is good news for post production people who need applications to support complex workflows. [0:38]New version of AV Foundation provides new classes for applications to edit QuickTime movie files. [1:19]Open QuickTime movie files and perform range-based editing on movies in tracks. You select a segment of a movie and copy it into some othe...

Autodesk likes Final Cut Pro X XML as an interchan

June 11, 2015, 09:24 AM

http://alex4d.com/notes/item/autodesk-likes-fcpx-x...

Autodesk Smoke 2016 includes improved support for Final Cut Pro X XML export.  Although Smoke can use other formats for export, the new help file says out that Final Cut's format is the one to use for collaboration: Use FCP X XML Export when you want to share a sequence with third party applications. The XML Export generates a simplified sequence that can be used in third party applications for creative editorial, color correction, media management, etc. There are new Sequence Publis...

Blackmagic Announces DeckLink 4K Extreme 12G

June 11, 2015, 04:50 AM

https://news.creativecow.net/story/879069

(Fremont, CA--June 10, 2015) Blackmagic Design today announced DeckLink 4K Extreme 12G - Quad SDI, a new mezzanine card that lets customers connect older Ultra HD and 4K equipment that use quad link 3G-SDI connections to their computer through their existing DeckLink 4K Extreme 12G video capture and playback card. The DeckLink 4K Extreme 12G - Quad SDI mezzanine card is available now for US$75 from Blackmagic Design re-sellers worldwide.

8 of the Best Free Resources for Adobe Premiere Pr

June 10, 2015, 02:52 PM

http://tracking.feedpress.it/link/9766/1238068

Adobe Premiere Pro has a rich legacy dating back to its release in 1991. Today, Adobe Premiere Pro has gained steam in some of the biggest markets including television and feature films. More recently, it was used in the high-grossing film, Gone Girl, and before that in Captain Abu Raed and Monsters. How has Adobe Premiere Pro continued to push the creative boundaries of the post-production industry for over 20 plus years? Innovation.

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