It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 9, 2015, 04:50 AM
http://categoryfivestudios.com/live-multicam-in-pr...
Hi, Everyone. I’ll be at AbleCine tomorrow (Tuesday June 8th) to show-and-tell about a very cool workflow I have been using on a lot of award shows lately: Edit-While-Recording: Live Multicam in Premiere Pro. I’ll present a demo with 8 cameras feeding a MacPro with Softron’s […]
June 9, 2015, 04:50 AM
http://alex4d.com/notes/item/exploring-360-video-w...
I saw an interesting music video today from Bjork - another 360° ‘VR’ video, which prompted me to find out how to greate 360° motion graphics using Final Cut Pro X. If you view this video with the Chrome browser on YouTube, you can drag within the video to look around - left and right, up and down: Use the cog settings control to increase the resolution to 2160p-4K. I made this video by scaling a still equirectangular panorama down to 4320x2160 and importing it into a new 25p Fin...
June 9, 2015, 04:48 AM
http://hdslrshooter.com/editfest-2015-coming-to-lo...
Attention all London area residents: EditFest 2015 is coming to your area on June 20th! For those in the L.A. area interested in attending the event, don’t worry. EditFest will also be coming to Los Angeles this coming August.
June 8, 2015, 04:10 PM
http://postperspective.com/newblue-releases-titler...
NewBlue has released Titler Pro 4, the fourth edition of its video-titling software. The video plug-in has 24 new features, including PSD import, OpenFX integration, title caching, and an optimized workspace. With enhanced performance, workflow and function, Titler Pro 4 accelerates the creation of 2D and 3D titles, lower thirds, and video end credits. Using Titler Pro 4’s Quick Edit user interface, video editors can create high-end titles quickly directly within the nonlinear video-editi...
June 8, 2015, 04:10 PM
http://www.provideocoalition.com/after-effects-hid...
Not all pixels are created equal. Different devices often use different internal representations for the same color we see. HDTV video is one color space, which is fortunately related to sRGB (the default for many computer-connected devices). But still images from a professional photographer are probably in Adobe RGB or ProPhoto RGB color spaces, which is rather different. And anybody creating graphics without color management - from Illustrator logos to 3D renders - may be unwittingly creat...
June 8, 2015, 04:10 PM
http://www.groovypost.com/news/apple-wwdc-2015-rec...
Apple held its annual World Wide Developers Conference (WWDC) keynote on Monday with announcements focusing on three key areas in the Apple ecosystem.
June 8, 2015, 12:24 PM
http://www.videoguys.com/blog/video-editing/subscr...
The folks over at ExtremeTech have published an interesting article that goes into some of the issues facing Avid & Adobe (as well as Cakewalk) users. The world is moving towards a Software as a Service (SaaS) model. While this may not work for everyone, it looks like it works very well for the software Read More The post Subscription vs. Owning your NLE Software appeared first on Videoguys Blog.
June 8, 2015, 09:42 AM
http://www.videoguys.com/blog/streaming/newtek-tri...
In this white paper technology guru and online tech personality Leo LaPorte talks about how he has utilized the NewTek TriCaster to create broadcast quality content on a lean budget. NewTek To keep up with the growth of the TWiT Network, the whole operation moved in 2011 to a custom-designed space in Petaluma, CA called Read More The post NewTek TriCaster powers This Week in Tech – TWiT TV appeared first on Videoguys Blog.
June 7, 2015, 01:12 PM
https://digitalfilms.wordpress.com/2015/06/07/buil...
One nice aspect of the symbiotic relationship between Final Cut Pro X and Motion is that Motion can be used to create effects, transitions, titles and generators for use in FCP X. These are Motion Templates and they form the basis for the creation of nearly all third-party effects filters, both paid and free. This […]
June 7, 2015, 07:15 AM
http://www.redsharknews.com/business/item/2626-whe...
Phil Rhodes takes a look at some of the innovative technology that lay behind Pathé’s 9.5mm film format and the Pathé Baby projector, the Netflix of the 1920s. HistoryPatheFilmSuper 8Kodak
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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