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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

360 Rig Removal Made Easy in After Effects and Met

December 20, 2016, 03:55 PM

http://www.studiodaily.com/2016/12/360-rig-removal...

Jamie Pence of VideoBred sees big implications for VR post-production in the new view-based editing capabilities of SkyBox V2. Watch him remove a rig from equirectangular footage without leaving After Effects, then perform a "geek mic drop," in this how-to. The post 360 Rig Removal Made Easy in After Effects and Mettle SkyBox Studio V2 (Tutorial) appeared first on Studio Daily.

Win Adaptiverb from Zynaptiq

December 20, 2016, 03:54 PM

http://designingsound.org/2016/12/win-adaptiverb-f...

Have you seen me mention how much I love Zynaptiq and their tools before? I feel like I say it a lot. Probably not here on the site all that frequently, but pretty much everywhere else. They first grabbed my attention with their awesome audio restoration tools. I still prefer Unveil over RX’s De-Reverb tool, and […]

Marc Bach, Lead Editor and Colorist at DirecTV, Ta

December 20, 2016, 03:53 PM

http://www.fcp.co/final-cut-pro/articles/1908-marc...

During the FCP X Tour in Barcelona we had the pleasure of having a live FaceTime conversation with Marc Bach in California. He gives an honest opinion about FCP X 10.3 and tells us why he thinks that some of his colleagues still don’t want to hear anything good about it. Videos included!

Avid ScriptSync and PhraseFind are returning to Me

December 20, 2016, 03:53 PM

http://manhattaneditworkshop.blogspot.com/2016/12/...

Click here to find out more information: http://connect.avid.com/ScriptSync-PhraseFind-Get-Notified-Registration-Page.html

Everest Supporting Vfx Breakdown

December 20, 2016, 03:43 PM

http://www.cgmeetup.net/home/everest-supporting-vf...

RVX is the lead VFX vendor on this third collaboration with director Baltasar Kormákur.

Free 3D LUT Pack | The Strolling Stiffs

December 20, 2016, 03:43 PM

https://jeffvlog.wordpress.com/2016/12/20/free-3d-...

Overall cool shift, greens getting the most influence. Highlights retain some warmth and skin tones remain mostly neutral. This pack includes versions specifically designed for S-Log1, S-Log2, S-Log3, BMD Film, and CLog. Click here to download.

Pixar's Recruiting Team Q&A

December 20, 2016, 03:42 PM

http://www.pixarpost.com/2016/12/pixars-recruiting...

Twitter has become one of the most unique social media tools allowing its user base to have a digital connection to people and companies that they admire the most. On Monday, December 19, the Pixar Recruiting team held a very informative Twitter Q&A session - answering more than 100 questions in just over an hour. If these types of Q&A sessions sound familiar - you'll remember that director Andrew Stanton and most recently director Lee Unkrich both held impromptu Q&A's while experiencing travel ...

FANTASTIC BEASTS: Arnaud Brisebois - VFX Superviso

December 20, 2016, 03:42 PM

http://www.artofvfx.com/fantastic-beasts-and-where...

Arnaud Brisebois began his career in visual effects in 2003. Before joining Rodeo FX in 2014, he worked at Meteor Studios and Mokko Studio. He has worked on many projects such as 300, MIRROR MIRROR, RIDDICK or X-MEN: DAYS OF FUTURE PAST. As VFX Supervisor, he took care of the effects of WARCRAFT, GODS OF EGYPT, MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN and ARRIVAL.

Vote for Your Favorite VFX Bake-Off Movie

December 20, 2016, 03:42 PM

http://cinefex.com/blog/visual-effects-bake-off/

On December 16, 2016, the 89th Academy Awards came a step closer as the Academy of Motion Picture Arts and Sciences whittled down the candidates for the Visual Effects Oscar from 20 to 10.

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