It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 20, 2016, 03:55 PM
http://www.studiodaily.com/2016/12/360-rig-removal...
Jamie Pence of VideoBred sees big implications for VR post-production in the new view-based editing capabilities of SkyBox V2. Watch him remove a rig from equirectangular footage without leaving After Effects, then perform a "geek mic drop," in this how-to. The post 360 Rig Removal Made Easy in After Effects and Mettle SkyBox Studio V2 (Tutorial) appeared first on Studio Daily.
December 20, 2016, 03:54 PM
http://designingsound.org/2016/12/win-adaptiverb-f...
Have you seen me mention how much I love Zynaptiq and their tools before? I feel like I say it a lot. Probably not here on the site all that frequently, but pretty much everywhere else. They first grabbed my attention with their awesome audio restoration tools. I still prefer Unveil over RX’s De-Reverb tool, and […]
December 20, 2016, 03:53 PM
http://www.fcp.co/final-cut-pro/articles/1908-marc...
During the FCP X Tour in Barcelona we had the pleasure of having a live FaceTime conversation with Marc Bach in California. He gives an honest opinion about FCP X 10.3 and tells us why he thinks that some of his colleagues still don’t want to hear anything good about it. Videos included!
December 20, 2016, 03:53 PM
https://fxfactory.com/blog/effects-2/free-copycat-...
Movie Pop by Stupid Raisins
December 20, 2016, 03:53 PM
http://manhattaneditworkshop.blogspot.com/2016/12/...
Click here to find out more information: http://connect.avid.com/ScriptSync-PhraseFind-Get-Notified-Registration-Page.html
December 20, 2016, 03:43 PM
http://www.cgmeetup.net/home/everest-supporting-vf...
RVX is the lead VFX vendor on this third collaboration with director Baltasar Kormákur.
December 20, 2016, 03:43 PM
https://jeffvlog.wordpress.com/2016/12/20/free-3d-...
Overall cool shift, greens getting the most influence. Highlights retain some warmth and skin tones remain mostly neutral. This pack includes versions specifically designed for S-Log1, S-Log2, S-Log3, BMD Film, and CLog. Click here to download.
December 20, 2016, 03:42 PM
http://www.pixarpost.com/2016/12/pixars-recruiting...
Twitter has become one of the most unique social media tools allowing its user base to have a digital connection to people and companies that they admire the most. On Monday, December 19, the Pixar Recruiting team held a very informative Twitter Q&A session - answering more than 100 questions in just over an hour. If these types of Q&A sessions sound familiar - you'll remember that director Andrew Stanton and most recently director Lee Unkrich both held impromptu Q&A's while experiencing travel ...
December 20, 2016, 03:42 PM
http://www.artofvfx.com/fantastic-beasts-and-where...
Arnaud Brisebois began his career in visual effects in 2003. Before joining Rodeo FX in 2014, he worked at Meteor Studios and Mokko Studio. He has worked on many projects such as 300, MIRROR MIRROR, RIDDICK or X-MEN: DAYS OF FUTURE PAST. As VFX Supervisor, he took care of the effects of WARCRAFT, GODS OF EGYPT, MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN and ARRIVAL.
December 20, 2016, 03:42 PM
http://cinefex.com/blog/visual-effects-bake-off/
On December 16, 2016, the 89th Academy Awards came a step closer as the Academy of Motion Picture Arts and Sciences whittled down the candidates for the Visual Effects Oscar from 20 to 10.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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