It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 21, 2016, 10:19 AM
http://www.provideocoalition.com/1-photo-raw-famil...
With a price of $119.99 for the program, one aspect of ON1 Photo RAW that is sure to appeal to many is the fact that you have one license allowing to install the program on up to five computers. This unique feature is not new, but I am somehow amazed that ON1 has decided to The post ON1 Photo RAW: the family editor appeared first on ProVideo Coalition.
December 21, 2016, 10:18 AM
http://www.mcelhearn.com/why-do-so-many-people-exp...
I like Matt Taibi. He’s an excellent journalist for Rolling Stone, and he’s written several interesting books.
December 21, 2016, 10:18 AM
http://www.cgmeetup.net/home/secret-spring-vfx-bre...
Ramiro AMK Fernández: Opening sequence of this shortfilm called “The Secret of Spring” generating a journey across the universe
December 21, 2016, 06:34 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“I just like to smile! Smiling's my favorite.” — Buddy ...
December 21, 2016, 06:33 AM
http://www.creativebloq.com/features/the-secrets-b...
Disney Animation may be best known for its legendary animators and much-loved animated films, but within the computer graphics community, the studio is also heralded for technical innovations. New tools developed for the effects in upcoming film Moana are once again pushing the state of the art.
December 21, 2016, 06:33 AM
http://www.creativebloq.com/reviews/houdini-155
Review: The latest Houdini is an amazing release that brings improvements across the board for everyone.
December 20, 2016, 03:56 PM
http://www.provideocoalition.com/what-is-correct-c...
Sometimes you set out to answer an easy query and wind up questioning fundamental assumptions. Playing with test charts shouldn’t trigger an existential crisis, but you never know… Recently the folks at DSC Labs asked me to test an experimental color chart using a new surface finish. Their simple question: are the colors on the The post What is “Correct” Color? appeared first on ProVideo Coalition.
December 20, 2016, 03:56 PM
http://postperspective.com/the-mills-color-team-ad...
The Mill, known for its work on spots, games and music videos, is broadening its offerings to include creative digital intermediate work for feature-length indie projects. This new initiative is being led by Mill colorist and director of DI, Damien Van Der Cruyssen at The Mill’s New York studio. Continue reading → December 20, 2016 The post The Mill’s color team adds long-form work to offerings appeared first on Randi Altman's postPerspective.
December 20, 2016, 03:56 PM
http://www.studiodaily.com/2016/12/use-mayas-blend...
Gio Coutinho, rigging artist at Rooster Teeth, where web series RWBY is created, shows how to generate a simulated breeze inside Maya using Blend Shape weights. It's the first in a series of Rooster Teeth Tutorials over at Autodesk's Area. The post Use Maya’s Blend Shapes for a ‘Breeze’ Effect (Tutorial) appeared first on Studio Daily.
December 20, 2016, 03:56 PM
http://www.studiodaily.com/2016/12/final-cut-pro-x...
FCPWORKS, in partnership with Los Angeles Creative Pro User Group (LACPUG) founder Michael Horton, invited Apple on stage for a deep dive into FCP X 10.3 workflow, including a good demo of navigation using the MacBook Pro's new Touch Bar. The post Final Cut Pro X 10.3 Workflow at LACPUG (Tutorial) appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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