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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Dialogue Editing – Where to Edit

December 30, 2014, 06:00 AM

http://masteringfilm.com/dialogue-editing-where-to...

By necessity, editing dialogue involves making splices. You must get from this shot to the next—where do you jump? By far the most common place to move between clips is in the space between them. This allows for a natural transfer of energy from one source to another (see below), and it usually works. Longer...

Top 10 Title Sequences of 2014

December 30, 2014, 06:00 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

It’s the end of the year, and you know what that means: end of year lists!2014 was an incredible year for title design and for the first time ever, Art of the Title is publishing a list of the top 10 title sequences of the year. After all, who better to cover an entire year’s worth of title design?A few weeks ago, Vulture published its list of the 10 Best TV Opening Credits of 2014. While it was fantastic to see a year-end list celebrating title design, the top 10 not only mentioned quit...

Adobe Premiere Pro

December 30, 2014, 06:00 AM

http://saeditores.org/Novedades/Adobe-Premiere-Pro

Bruno Fauceglia, integrante de la Comisión de Estudios Técnicos de la SAE, analiza el estado actual del mercado de softwares de edición. Con su vasta experiencia en todos los rubros de la postproducción de imagen, en esta primera entrega se centra en el desempeño del Premiere Pro como módulo de integración de las distintas soluciones que propone Adobe para el acabado de las obras audiovisuales.

Autodesk make their Software Free to Schools World

December 30, 2014, 06:00 AM

http://www.redsharknews.com/business/item/2252-aut...

Autodesk have announced that they are making over 100 software titles free for Students and Educators worldwide AutodeskMayaMaxSmokeAutoCad

Get Clear Insight on 4K & it's Worth

December 29, 2014, 10:50 AM

http://www.productionhub.com/blog/post/get-clear-i...

4K has been hyped as the next big thing in video, but unless you are an A/V geek, it is all too easy to get confused about what it means. Yoel Zanger, CEO and Founder of Giraffic gives you the insight you need to understand 4K.

After Effects and Premiere Pro in 2014

December 29, 2014, 05:51 AM

http://provideocoalition.com/ryoung/story/after-ef...

2014 was a relatively slightly year in feature releases, with After Effects development underway that should speed work within the app, especially with 4K files. Early last year, the AE team hinted that performance, workflow, and improved creative capability was the main focus behind the scenes. Performance in Premiere Pro was addressed several years ago and the emphasis now is more on workflow.

New Music Gear Monday: Eventide Mixing Link

December 29, 2014, 05:48 AM

http://bobbyowsinski.blogspot.ca/2014/12/new-music...

If ever there was a Swiss Army Knife-like tool for the stage or studio, it's the Eventide's Mixing Link. It takes the form of a stompbox and contains a high quality mic amp with 65dB of gain and phantom power, an effects loop, headphone output and numerous signal routing and combination possibilities.

"The Lean Forward Moment" and "The Rule of Thre

December 28, 2014, 08:56 AM

http://editorunderconstruction.blogspot.com/2014/1...

The Lean Forward Moment: The Rule of Threes:Norman Hollyn Interview:LINKS:http://normanhollyn.comhttp://leanforwardmoment.com

Explain yourself, dangit

December 27, 2014, 10:37 AM

http://www.thepoweredit.com/explain-yourself-dangi...

Very recently: I was sitting near a screaming baby, in the very back row of a small airplane, with no legroom, and seats that would not recline. Things that would otherwise drive me nuts, or at very least annoy me. But I was ok with all of this. Why? Context. Because my wife and I […]

Understanding Premiere Pro Metadata

December 27, 2014, 07:38 AM

http://blogs.adobe.com/VideoRoad/2014/12/understan...

This was originally a quick answer to a question on the Moving to Premiere Pro forum on Facebook, which is where you’ll find me most of the time. This blog doesn’t get used too often these days due to Twitter and Facebook, but I still maintain it for more complicated questions like this one. Someone asked a series of questions about where Premiere Pro stores metadata, and why there are a lot of duplicate fields in the metadata panel, in two separate groups. The Adobe engineers ...

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