It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 13, 2017, 09:29 AM
http://lesterbanks.com/2017/07/stable-noise-softim...
Andy Nicholas is a well respected CG and VFX veteran, and former Softimage user. Once Softimage was left to die, Andy moved to other platforms. Side FX Houdini was the best bet, yet there are The Post Stable Noise, From SoftImage to Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks
July 13, 2017, 06:51 AM
http://www.digitalproductionbuzz.com/2017/07/trans...
HOST Larry Jordan GUESTS Kevin Duggan, Product Manager/Director, iMedia Sam Bogoch, CEO, Axle Robert Krueger, Managing Partner, Lesspain Software Steve Shim, CEO, Malgn Technology Erika Nortemann, Vice President, TANDEM Stills and Motion, Inc. James DeRuvo, Film and Technology Reporter, DoddleNEWS == … The post Transcript: Digital Production Buzz – July 13, 2017 appeared first on Digital Production BuZZ.
July 12, 2017, 12:31 PM
http://www.studiodaily.com/2017/07/201707review-bl...
About seven years ago, I reviewed Blackmagic Design’s (BMD) ATEM Television Studio for another publication. What it could do for the price was groundbreaking at the time, and it became a very popular switcher in the AV services business. It had lots of flexibility and, at under $1,000, was the go-to switcher for people who […] The post Review: Blackmagic Design ATEM Television Studio HD appeared first on Studio Daily.
July 12, 2017, 09:42 AM
http://postperspective.com/doing-more-with-thunder...
Streamlined speed on set or in the studio By Beth Marchant It was only six years ago that Thunderbolt, the high-speed data transfer and display port standard co-developed by Apple and Intel, first appeared in Apple’s MacBook Pros and iMacs. Since then, the blended PCI Express, Continue reading → July 12, 2017 The post Doing more with Thunderbolt 3 appeared first on Randi Altman's postPerspective.
July 12, 2017, 09:41 AM
https://fxfactory.com/blog/effects-2/easily-apply-...
LUTPro lets you apply LUT files to your video inside of Final Cut Pro X. You can use LUTPro to quickly normalize video shot in a “log” format, or you can import your own LUT collection for use in FCPX. Normalize “log” formats like RED IPP2, Canon C-Log, Blackmagic, and others Import your own LUT collection […]
July 12, 2017, 06:26 AM
https://www.premiumbeat.com/blog/upcoming-document...
Off the Tracks will feature many top FCPX editors. In this interview, the director shares his experience filming with these experts.
July 12, 2017, 06:26 AM
http://www.screeneditors.com.au/hyper-active/
Hyperactive Broadcast is the leading provider of EVS based integrated workflows for Live Broadcast and Feature Film Post Production. Combining the very latest media management and integrated storage solutions with Avid Interplay and EVS IP Directors, we have the highest level of skills and understanding and are trusted by the best names in the industry […]
July 12, 2017, 06:26 AM
http://www.btlnews.com/community/post-boutique-twe...
Award-winning colorist Lez Rudge and veteran production and post-production executives Marcelo Gandola, Axel Ericson and Ed Rilli have joined forces to launch TWELVE, a post boutique for the advertising, film and television industry. The announcement comes on the heels of several projects under the TWELVE banner, including campaigns for Jagermeister, Comcast, Maybelline, and the NY […] The post Post Boutique TWELVE Launches appeared first on Below the Line.
July 12, 2017, 06:26 AM
https://www.provideocoalition.com/sam-bogoch-axle-...
We’ve all been there. You wrap a project, put a drive on the shelf, and promptly buy a new drive for the next project. Several months later, the client asks for a new version of the video…but you’ve forgotten which drive the project was on. Sam Bogoch and axle Video have made it their business to help you find your media faster.
July 11, 2017, 06:04 PM
http://www.fcp.co/final-cut-pro/news/1982-managing...
Staying within FCPX, you can only 'gather up and copy media' which isn't ideal. At the recent Faster Together stage at NAB, Chris Steele from Marquis Broadcast demonstrated Worx4 X that copies and trims media saving a lot of disk space.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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