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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Marian Oliver upped to editor at Cutters Chicago

September 5, 2018, 11:10 AM

https://postperspective.com/marian-oliver-upped-ed...

Cutters Studios has promoted Marian Oliver to editor at its Chicago location. Oliver began her career in client services at Red Car Chicago in 2009. After earning her degree from Columbia College Chicago, she joined Cutters in 2012 as an assistant editor working on advertising projects. Her most recent projects include campaigns for Meijer, Continue reading → September 5, 2018 The post Marian Oliver upped to editor at Cutters Chicago appeared first on Randi Altman's postPerspective.

When Sound Matches Setting

September 5, 2018, 11:10 AM

http://designingsound.org/2018/09/05/when-sound-ma...

This guest post comes to us from Natalia Saavedra Brychcy, a freelance sound designer based in Santa Cruz de la Sierra, Bolivia, working remotely for different studios in Los Angeles and New York City. Natalia has been a sound effects editor/sound designer for over 4 years, working on a wide array of projects from all over […]

CoreMelt’s new PaintX provides planar tracking f

September 5, 2018, 11:10 AM

https://postperspective.com/coremelts-new-paintx-p...

CoreMelt’s PaintX planar tracking-based paint utility software for Apple Final Cut Pro X editors and artists is now available. CoreMelt PaintX is powered by Boris FX’s Mocha technology, which tracks camera motion, objects and people for seamless visual effects and screen composites. PaintX enables editors and artists to quickly and accurately apply “fixes” to footage and sequences by using standard color, Continue reading → September 5, 2018 The post CoreMelt’s new PaintX provi...

Hands On With Premiere Handy Tools

September 5, 2018, 10:01 AM

https://www.premierebro.com/blog/hands-on-with-pre...

The Handiest Tools In Premiere Pro: Meet The Developer Of Premiere Handy Tools And Learn How To Start Coding Your Own Panels For Premiere Pro. Premiere Handy Tools is simple panel that reduces multi-step workflow tasks in Premiere Pro to a click of a button. In this post, we'll tell you how it works and how to install it. The second half of the post is an interview with Premiere Handy tools developer, Julien Chichignoud.

#editing#adobe#premiere pro#premiere#premiere handy tools
Complete Lumetri Color Workflow in Premiere Pro

September 4, 2018, 07:23 AM

https://www.premierebro.com/premiere-in-post/the-c...

3-Part Tutorial Series On Lumetri Scopes And Lumetri Color Panel In Premiere Pro. This tutorial series, featuring chinfat, is truly all you need to know about color correction and color grading in Premiere Pro.

#adobe#premiere pro#color#adobe premiere#lumetri
The Meg: What does a giant shark sound like?

September 4, 2018, 04:57 AM

https://postperspective.com/meg-giant-shark-sound-...

By Jennifer Walden Warner Bros. Pictures’ The Meg has everything you’d want in a fun summer blockbuster. There are explosions, submarines, gargantuan prehistoric sharks and beaches full of unsuspecting swimmers. Along with the mayhem, there is comedy and suspense and jump-scares. Best of all, it sounds amazing in Dolby Atmos. The team at E² Sound, Continue reading → September 3, 2018 The post The Meg: What does a giant shark sound like? appeared first on Randi Altman's postPerspe...

Art Doesn’t Pay

September 4, 2018, 04:57 AM

https://digitalfilms.wordpress.com/2018/09/04/art-...

In the short time since its 2015 launch, Frame.io has become a leading video collaboration site. Going beyond its early roots as a video review-and-approval site, Frame.io now supports numerous, long distance workflows that empower creative video professionals all around the world. Most companies feature blogs and customer profiles as just another form of marketing. […]

*Editar con el oído*, por Gus Codella (SAE)

September 4, 2018, 04:57 AM

http://saeditores.org/Novedades/Editar-con-el-oido...

Una síntesis personal de la edición por sus artífices.

Animation Magazine 282 August 2018

September 4, 2018, 04:56 AM

http://www.animationmagazine.net/archives/282-augu...

Animation Magazine 282 August 2018 Is OUT!

SKY SPORTS "Take your Seat": VFX Breakdown

September 4, 2018, 04:56 AM

http://www.artofvfx.com/sky-sports-take-your-seat-...

Have a look at this VFX Breakdown by The Mill about their work on this SKY SPORTS commercial...

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