It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 26, 2014, 09:50 PM
http://www.raindance.org/the-five-rules-of-filmmak...
In a couple hours this studio will be full of filmmakers and screenwriters attending the monthly Toronto Boozin’ N’ Schmoozin’ networking drinks. earlier this week over 200 people attended the same event at Raindance Vancouver. Everyone I meet in our regional hubs are bubbling with enthusiasm.
November 26, 2014, 09:48 PM
http://www.redsharknews.com/business/item/2197-why...
Why do companies do this? Why do they risk their stellar repletion by creating technology and design hybrids that position style over function? It's happened before. Vertu has a mobile phone that looks like a bejewelled throwback to the late nineties, costs ("starts from") £9,600 / $15,100 / €12,120 and comes with "exclusive ring tones" performed by the London Symphony Orchestra, specially composed for you, Vertu's customer. Honestly, I'm not making this up. Was Hasse...
November 26, 2014, 02:50 PM
http://eriknaso.com/2014/11/26/red-giant-year-end-...
Seems every year Red Giant gets my money and this year it’s no different only now they are making us wait an extra week. Okay it’s still worth it!
November 26, 2014, 12:31 PM
http://www.btlnews.com/awards/contender-editor-san...
Collaborating for 22 and 18 films, editor Sandra Adair and director Richard Linklater have developed a communications shorthand when working together. Both have laid back personalities and are open to listening to one another. Adair confirmed, “Rich is very collaborative” and their process from one film to the next is very similar.
November 26, 2014, 07:41 AM
http://www.fcp.co/final-cut-pro/tutorials/1558-sto...
This week's three Ripple tutorials range from storyboarding and getting a graduated filter effect in FCPX, to taking a photo into Motion and animating layers in 3D.
November 25, 2014, 10:02 PM
http://cuttingroomtales.wordpress.com/2014/11/18/p...
Can Digital Really Look Like Film? ☛ Journalistic convention dictates that you review products when they’re brand new, but I’m taking the liberty of reviewing something that’s been around for a time. What can I say? It’s new to me. Be aware: this may get a little technical. FilmConvert is a bundle of software … Continue reading →
November 25, 2014, 10:02 PM
http://www.studiodaily.com/2014/11/review-hp-z840-...
It has been just two years since HP introduced its flagship Z820 workstation. And, almost like clockwork, we’re ready for a replacement model that updates many of the internal components. The two-year cycle is no accident. Like the newly introduced … more » The post Review: HP Z840 Workstation appeared first on Studio Daily.
November 25, 2014, 10:02 PM
http://www.moviemaker.com/archives/news/moviemaker...
MovieMaker Magazine's 111th issue, Fall 2014, hits newsstands around the U.S. and Canada today. The issue is also available for digital download via iTunes and Pocketmags, accessible on all mobile devices.
November 25, 2014, 03:58 PM
http://finalcutargentina.blogspot.com/2014/11/de-f...
Uno de los tantos mitos que hay sobre Final Cut Pro X es que se lleva mal con otras aplicaciones y que está aislado del mundo. Nada más lejos de la realidad. Final Cut Pro X posee un poderosísimo lenguaje XML que permite que distintos desarrolladores hagan "módulos" que resuelvan tareas específicas. Gracias a esto encontramos utilidades para sincronizar jornadas completas de sonido con una o múltiples cámaras en cuestión de minutos, herramientas para generar reportes para postprodu...
November 25, 2014, 03:57 PM
http://twainthestoryteller.com/frame-of-reference-...
Bryan Capri is an award winning film editor and occasional visual effects artist and colorist from the wintery depths of Southern New England. He works mainly in scripted narrative, having cut more than a few features and tons of shorts. Among many others, he edited “Dark Haul” (a SyFy Original Movie starring Tom Sizemore). He […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.