Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Cardinal (1963)

October 7, 2014, 05:11 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“We've never had a priest working with the Mafia before. But I suppose you made some interesting contacts in Rome.” — Cardinal Glennon Author Pat Kirkham discusses the opening titles for The Cardinal, from her authoritative book Saul Bass: A Life in Film and Design.The beautiful live-action title sequence for this story of a priest who rises to the rank of cardinal reveals a remarkab...

ATTN LA PEEPS: "Shahs of Sunset" Rally

October 6, 2014, 04:41 PM

http://renderplease.com/post/99339585900

When the courageous crew of “Shahs of Sunset” went on strike to create more union jobs in reality...

After Effects Tip: Simultaneously View Multiple Co

October 6, 2014, 12:27 PM

http://www.premiumbeat.com/blog/after-effects-quic...

Speed up your workflow in After Effects by simultaneously viewing two different compositions.

We’ve created an Animal

October 6, 2014, 12:26 PM

http://blogs.adobe.com/aftereffects/2014/10/weve-c...

Project Animal was shown in our sneak peek at MAX. If you missed it or want to see it again, we’ll post the video as soon as it’s available. For those who don’t know what I’m talking about, the Advanced Product Development team who work closely with the After Effects team has been working on a character animation product code-named Project Animal. While your character is the puppet, you are the one holding the strings. By accessing your computer’s webcam, Project Animal will track...

#PostChat article on the Motion Picture Editor’s

October 6, 2014, 12:26 PM

http://icutfilm.com/post/99329084222

#PostChat article on the Motion Picture Editor’s Guild site: SOCIAL MEDIA FOR POST https://www.editorsguild.com/FromTheGuild.cfm?FromTheGuildid=485

Sundance Institute Announces 2014 New Frontier Par

October 6, 2014, 12:25 PM

http://filmmakermagazine.com/87818-sundance-instit...

The Sundance Institute has announced the six projects set for this year’s New Frontier Story Lab, a hands-on initiative for developing content that converges at the intersection of “film, visual art, media, live performance, music and technology.” The 2014 creative teams and projects are Karim Ben Khelifa and Chloé Jarry (The Enemy), Dandypunk and Darin Basile (Heart Corps), Tracy Fullerton and Lucas Peterson (Walden, A Game), Braden King and Matthew Moore (Weather), Hasan Minhaj and Greg...

Gone Girl Marks Yet Another Milestone for Adobe

October 6, 2014, 09:58 AM

http://blogs.adobe.com/creativecloud/gone-girl-mar...

If the first film review in Variety is any indication, Director David Fincher’s film adaptation of Gillian Flynn’s bestselling novel Gone Girl will be well worth the price of admission. Many filmgoers will see the movie because they like the actors, the genre, or because they’ve read the book. Many others will go because they love Fincher’s vigorous storytelling, his impeccable pacing, and his striking visual style.

Theater owners decry Nolans Interstellar 35mm roll

October 6, 2014, 03:39 AM

http://www.hitfix.com/in-contention/theater-owners...

In 1999, George Lucas's "The Phantom Menace" sent studios and theater owners into a tizzy. Along with the standard film prints, Lucasfilm rolled out a select number of "digital projection" test screenings for the latest "Star Wars" installment. The New York Times reported on the awestruck audiences, a mix of film enthusiasts, technophiles, and "Star Wars" geeks. One 17-year-old exclaimed, "All my friends who've seen it before are coming to see it again in 'dij',''

Adobe’s Hollywood Debut Party!

October 6, 2014, 03:39 AM

http://www.philiphodgetts.com/2014/10/adobes-holly...

A good day for Adobe and a proud day for Greg and I.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.