It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 6, 2014, 03:39 AM
http://postperspective.com/kirk-baxter-editing-dav...
By Daniel Restuccio When David Fincher took on the film Gone Girl, he immediately started to round up the “usual suspects,” his most trusted collaborators, including Kirk Baxter, who has two Editing Oscars on his mantle from previous work with Fincher (The Social Network and Girl With the Dragon Tattoo). Gone Girl is based on […]The post Kirk Baxter on editing David Fincher’s ‘Gone Girl’ appeared first on postPerspective - Randi Altman's postPerspective.
October 6, 2014, 03:38 AM
http://editstock.com/blogs/all/15588696-mastering-...
How does a person know when he or she has become a master at something? Editors at every level, from students to established professionals, question their creative abilities. From one day to the next, their feelings can go from total confidence to utter hopelessness. One reason for this emotional fluctuation is that editors lack a concrete method of measuring their progress. Their feelings are usually based on isolated events (e.g., screenings) that can go well or go poorly dependin...
October 6, 2014, 03:37 AM
http://provideocoalition.com/industryexclusive/sto...
How does a person know when he or she has become a master at something? Editors at every level, from students to established professionals, question their creative abilities. From one day to the next, their feelings can go from total confidence to utter hopelessness. One...
October 4, 2014, 06:05 AM
http://www.fcp.co/final-cut-pro/news/1512-mike-mat...
At the recent Los Angeles Creative Pro User Group, Mike Matzdorff presented his experiences of being an assistant editor on a major Hollywood film post produced on Final Cut Pro X.
October 3, 2014, 01:24 PM
http://www.creativeimpatience.com/move-that-anchor...
Being a casual After Effects user I find myself sometimes creating an animation path only to find out that I need to later reposition the anchor point of the layer to add rotation or scale. To my surprise, even with the abundance of AE Scripts on the market, I could … see more →
October 2, 2014, 06:03 PM
http://www.fxguide.com/featured/maintaining-the-my...
Editor Kirk Baxter has worked with David Fincher on such projects as House of Cards, The Curious Case of Benjamin Button, The Social Network and The Girl with the Dragon Tattoo, winning Oscars for those latter two films. With Gone Girl, Baxter continued his association with Fincher, helping to sell the suspense as to whether the character Nick Dunne (Ben Affleck) killed his wife Amy...
October 2, 2014, 05:27 AM
http://roosterpost.wordpress.com/2014/10/02/buckle...
Editor/Director collaborators Paul Proulx & Tamir Moscovici take a wild ride as automotive film outlaws in a blog titled “Moscovici & Proulx: Gracing Canadian Auto Film” written by the consummate car guy, Trevor Byrne.
October 2, 2014, 05:27 AM
http://saeditores.org/Novedades/Primera-Asamblea-O...
Con importante cantidad de socios, el sábado 26 de abril se llevó a cabo la primera Asamblea Ordinaria de la SAE en la sede de SICA-APMA...
October 1, 2014, 01:24 PM
http://feedproxy.google.com/~r/richardharringtonbl...
Do you know about the Facebook group "Moving to Adobe Premiere Pro?" It's a moderated group for those who have migrated or are in the process of adding Adobe Premiere Pro to their workflow. We'll share discoveries, resources, and work-arounds. Occasional whining tolerated as long as it leads to positive outcomes.Join the group here — https://www.facebook.com/groups/premierepro/
October 1, 2014, 09:36 AM
http://feedproxy.google.com/~r/richardharringtonbl...
It's time for Adobe Max! If you're coming, I hope you'll consider attending one or more of my classes. It's also not too late to signup for the conference.Sunday, Oct 5, 9:00 AM - 5:00 PP2109 - Exploring Time-lapse Photography with Adobe Creative CloudWith time-lapse photography, you can literally see the passage of time. This style of photography is easy to learn but tough to master. In this hands-on training you’ll learn all the essential skills needed to shoot, develop, and asse...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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