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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Media Composer 101 - Advanced - 4K Workflows Part

February 9, 2015, 04:52 AM

http://provideocoalition.com/kmcauliffe/story/medi...

In the second part of our look at 4K workflows inside of Media Composer Subscription, we take a look at a RED offline/online scenario working totally in 4K, with a little help from REDCINE-X PRO.

Cinemartin's Cinec 4: If you need to transcode, y

February 9, 2015, 04:52 AM

http://www.redsharknews.com/post/item/2355-cinemar...

We take a look at Cinemartin's Cinec 4 transcoding tool and whether it's worth a premium over lower-cost and free options. CinemartinCinec 4TranscodingtranscoderProRes8KH265

Day 8 #28daysofquicktips - Use a Trackpad for Bett

February 8, 2015, 05:46 AM

http://provideocoalition.com/ssimmons/story/day-8-...

Continuing in yesterday’s vein of using an external input device today’s Quicktip comes to us from Alex Gollner (that’s @Alex4D to many) and it is all about using a trackpad on your Mac for better navigation. That’s a trackpad on your laptop or an external trackpad.

It’s in the Bag

February 8, 2015, 05:46 AM

http://www.philiphodgetts.com/2015/02/its-in-the-b...

How small can a high quality production kit go? My presentation from LACPUG January meeting.

5 Best Blogs for Video Production Pros

February 6, 2015, 10:40 AM

http://www.productionhub.com/blog/post/5-best-blog...

With so many blogs out there, we found five top blogs any video production professional should have bookmarked on their laptop & mobile devices. These blogs can help you increase knowledge in the video production realm whether inside the classroom, live on set or both. 

New! Red Giant Magic Bullet Suite 12 available now

February 6, 2015, 10:40 AM

https://www.videoguys.com/Blog/E/New+Red+Giant+Mag...

Color correction, finishing and film looks for filmmakers Magic Bullet Suite is a set of seven tools that bring intuitive, powerful color correction, and beyond, right to your editorial timeline. Magic Bullet Suite 12 includes new versions of Magic Bullet Looks, Colorista, Mojo & Cosmo, plus the all new Magic Bullet Film.

YouTube testing user switchable multicam playback

February 6, 2015, 10:39 AM

http://www.fcp.co/hardware-and-software/1599-youtu...

Who says multicam switching is just for editing? Now you can switch between four camera angles on this experimental YouTube music video by Madilyn Bailey. 

Day 6 #28daysofquicktips - Option click to move th

February 6, 2015, 10:39 AM

http://provideocoalition.com/ssimmons/story/day-6-...

The Final Cut Pro X Skimmer is an awesome thing. But you still have a traditional playhead when working in an FCPX timeline (or Project if you want to use Apple’s term for a timeline). There might be times when you want the playhead to move to a specific frame but just clicking a clip doesn’t move the playhead, it selects the clip.

CalDigit's TS2 Thunderbolt Station Dock

February 6, 2015, 10:39 AM

https://fstoppers.com/originals/caldigits-ts2-thun...

Thunderbolt docks have always been something that I've wanted, but haven't absolutely needed. The $300-$500 price range of these little all-in-one boxes didn't spark urgency in my search for the perfect dock either. Given a little time for the excitement (and price) of Thunderbolt-related technology to die down a bit, however, the prospect began to grow more interesting. An improvement on their previous dock, CalDigit's $200 TS2 seemed to be the perfect connection dreambox at the right price. So...

It’s Official: Six Major Studios Will Help Kodak

February 5, 2015, 03:36 PM

http://www.studiodaily.com/2015/02/six-major-studi...

Kodak sealed the deal for motion picture film this week, announcing that it had signed agreements with the six largest Hollywood studios that will keep all parties in the celluloid business for at least a few more years. 20th Century … more » The post It’s Official: Six Major Studios Will Help Kodak Keep Film Alive appeared first on Studio Daily.

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