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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind the Title: Magnetic Dreams director/composi

February 5, 2015, 03:36 PM

http://postperspective.com/behind-title-magnetic-d...

NAME: Joël Gibbs COMPANY: Magnetic Dreams (@MagneticDreams) CAN YOU DESCRIBE YOUR COMPANY? Magnetic Dreams is an animation studio located in Nashville. We handle a variety of projects ranging from VFX, motion graphics to full CG spots. WHAT’S YOUR JOB TITLE? Well, it’s sort of a two-headed beast title: Director and Lead Compositor. WHAT DOES THAT ENTAIL? Being a smaller studio, you tend to wear several hats. For me, I’ve somehow worked my way into being at both ends of the produ...

Hollywood Wants to Keep Motion Picture Film Alive

February 5, 2015, 03:36 PM

http://provideocoalition.com/jantunes/story/hollyw...

The news, today, that Kodak finalized motion picture film agreements with major Hollywood studios is a new step in the story of film not being dead yet. We recently published here the story of Ferrania Film coming back, and now it is time to confirm that Kodak will be a name present in future movie and television productions.

Film Is Dead... Long Live Film... Kodak Finalizes

February 5, 2015, 09:49 AM

http://blogs.indiewire.com/shadowandact/film-is-de...

In case you missed it, yesterday, Kodak announced that it has finalized new film supply agreements with all 6 major Hollywood studios - 20th Century Fox, Walt Disney, Warner Bros., NBC Universal, Paramount and Sony.

NOTICIA: Blackmagic anuncia DaVinci Resolve 11.2 c

February 4, 2015, 10:13 AM

http://www.finalcutpro.es/2015/02/noticia-blackmag...

(Nota de prensa) Blackmagic Design anuncia el lanzamiento de DaVinci Resolve 11.2 con mejoras en el procesamiento de archivos CinemaDNG Blackmagic Design anunció en el día de hoy que ya se encuentra disponible la versión 11.2 de DaVinci Resolve, la cual ofrece entre otras características un mejor procesamiento de imágenes en formato RAW CinemaDNG, nuevas […]

Video Editing: 3 Uses for the Premiere Pro ‘Proj

February 4, 2015, 10:13 AM

http://www.premiumbeat.com/blog/video-editing-3-us...

Discover a few ways to optimize your video editing workflow with the Premiere Pro 'Project Manager'. The post Video Editing: 3 Uses for the Premiere Pro ‘Project Manager’ appeared first on The Beat: A Blog by PremiumBeat.

MediaStorm Guide to Editing 2.4 Anamorphic Video

February 4, 2015, 10:12 AM

http://mediastorm.com/blog/2015/02/04/mediastorm-g...

Currently at MediaStorm, we are using the Sony PMW-F5 camera. Our final frame size is 2048×858, also known as 2.40.

Stabilizing Shaky Footage in Davinci Resolve

February 4, 2015, 10:12 AM

http://www.4kshooters.net/2015/02/04/stabilizing-s...

One of the less known features of Blackmagic Design’s DaVinci Resolve is the ability to stabilize shaky footage. Some people are seriously questioning whether the Stabilizer in Resolve performs as good as the Warp Stabilizer in Premiere Pro, for example, however if you’re on the rush and DaVinci Resolve is your only available option for the moment, this feature definitely is worth trying.

"The Serf" Fable by Joe Bini at Sundance 2015

February 4, 2015, 06:08 AM

http://editorunderconstruction.blogspot.com/2015/0...

Article and "The Serf" fable:http://www.sundance.org/blogs/program-spotlight/joe-bini-talks-the-art-of-editing-and-offers-a-cautionary-tale-for-editors-everywhereJoe Bini: Making a film is an extremely difficult endeavor. When you shoot a film, some shit works and some shit doesn't work: that is always the simple fact. The single most important guiding principle that I have learned is that you can only be successful making films by being truthful—truthful about the process, about what ...

Red Giant upgrades all their colour correction plu

February 4, 2015, 06:07 AM

http://www.fcp.co/hardware-and-software/pro/1598-r...

Red Giant has just completed a huge update to its colour correction products. New features, better GPU usage and a new tool added to the Magic Bullet Suite 12.

Avid Customer Association Rewind: Our First Year A

February 3, 2015, 08:23 PM

http://www.avidblogs.com/avid-customer-association...

It’s always exciting to see something new take shape, and in 2014, I had a front row seat to watch the exciting developments of the Avid Customer Association. Take a look. The article Avid Customer Association Rewind: Our First Year Accomplishments by Jennifer Smith appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

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