To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Avid’s ScriptSync – An Overview
August 21, 2014, 04:34 AM
http://masteringfilm.com/avids-scriptsync-an-overv...
If you have a script, you can import it into Media Composer. With the script imported, it is then possible to link specific shots and takes to exact portions of the script. This is similar in appearance to a traditionally marked-up script from a script supervisor. Actually, you or an assistant editor can use those...
Lussas jour 3 – le cadre
August 21, 2014, 04:33 AM
http://journaldunemonteuse.wordpress.com/2014/08/2...
Entendu / vu / lu au festival LES ÉTATS GÉNÉRAUX DU FILM DOCUMENTAIRE de Lussas. "Dès qu’on allume une caméra c’est une violence. Alors on peut essayer de le cacher, de masquer les preuves de cette violence, mais on peut … Lire la suite →
Lussas jour 2
August 20, 2014, 04:15 AM
http://journaldunemonteuse.wordpress.com/2014/08/1...
Entendu / vu / lu au festival LES ÉTATS GÉNÉRAUX DU FILM DOCUMENTAIRE de Lussas. "Avec mon monteur c’était devenu la blague. On dérushait et il me disait : "ça c’est super pour mettre en deux séquences, ah oui, tiens … Lire la suite →
10 Memorable Closing Shots
August 19, 2014, 09:44 AM
http://moviemezzanine.com/10-memorable-closing-sho...
Jake Pitre's latest Top 10 lists ten memorable final shots throughout film history.
Brewing Up An ‘About Us’ Video
August 19, 2014, 09:41 AM
http://coatofarmspost.com/brewing-up-an-about-us-v...
Castle Grayskull from the Saturday morning cartoon, He-Man, is strategically placed left of frame near Brian Arnett, co-founder and owner of Mountain State Brewing Company. Arnett boasts that he received the Mattel play-set from his friend, Kyle “Kyle Boy” Bland for decorative purposes in the brewery. Along with the homage to “The Masters of the [...]
Lussas jour 1
August 19, 2014, 04:47 AM
http://journaldunemonteuse.wordpress.com/2014/08/1...
Entendu / vu / lu au festival LES ÉTATS GÉNÉRAUX DU FILM DOCUMENTAIRE de Lussas. JOUR 1 "Qu’est-ce que c’est le travail du film ? Avec quoi on se bagarre ? Qu’est ce qu’on arrive à faire et qu’est qu’on … Lire la suite →
No. You do not have to be a film god.
August 18, 2014, 04:43 PM
http://www.thepoweredit.com/no-you-do-not-have-to-...
Countless starry-eyed generations of film students have exited the halls of film school convinced that they will be the next Alfred Hitchcock, Steven Spielberg, Robert Rodriguez… or Thelma Schoonmaker or Walter Murch, for the would-be editors. Why? Well, the cockier ones act as if – if not outright say – it’s their Manifest Destiny to […]
Hollywood style trailer techniques for commercials
August 18, 2014, 12:57 PM
http://deathcookieentertainment.com/2014/08/13/hod...
I recently edited a pieces for Hodgdon Yachts for the much anticipated release of a sailboat that's expected to break various world records. But how do you tease a sailboat that's not finished?
When I'm the first person at work and get to make
August 18, 2014, 09:13 AM
http://renderplease.com/post/95103284250
Final Cut vs. Premiere: Speed/quality tradeoff?
August 18, 2014, 09:13 AM
http://alex4d.com/notes/item/fcpx-vs-premiere-the-...
Quality A suprising article by Noam Kroll provides evidence that the quality of Adobe Premiere Pro CC's H.264 exports are noticeably worse than those from Final Cut Pro X: After seeing this I can confidently say that I will not be compressing to H.264 using Premiere Pro or Adobe Media Encoder any more. The image from Premiere is so much blockier, less detailed, and muddy looking, not to mention that the colors aren’t at all accurate. In fact I even did another output test later on wi...
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