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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Outliner Color Marker Script for Maya Adds New Fea

December 28, 2016, 07:32 AM

http://lesterbanks.com/2016/12/outliner-color-mark...

Recent versions of Maya have changed the way the icons appear in the outliner. For some old folks, this made it more difficult to find things. Especially if you have an Outliner-concentric workflow in Maya. The Post Outliner Color Marker Script for Maya Adds New Features originally appeared and published on %%BLOGLINK%,by lesterbanks

How To Install LUTs in Premiere Pro CC 2015.3 / 20

December 28, 2016, 07:31 AM

http://cinescopophilia.com/how-to-install-luts-in-...

Straight to the point instructional video from IWLTBAP on how to install LUTs in Premiere Pro CC 2015.3 / 2017.

HandBrake 1.0.0 is here after 13 years of developm

December 27, 2016, 06:59 AM

http://tech.firstpost.com/news-analysis/handbrake-...

Handbrake is an open source media transcoder that has been in development since 2013. The software is free to download and released under the GNU General Public License (GPL). The application allows users to rapidly convert video files from one format to another and is one of the most capable open source transcoders around. Handbrake is cross platform and works on Mac, Windows and Linux computers.

EQ-28 Weeks of Post Audio-Week 7

December 26, 2016, 04:23 PM

http://www.provideocoalition.com/using-eq/

Equalizers were created to help tame the frequency responses of recordings. Early on, they were relatively simple devices that would boost or attenuate a broad range of frequencies of the signal that passes through it. Digital audio has changed and enriched the tool set of EQ, with many types of software EQ devices that make The post EQ-28 Weeks of Post Audio-Week 7 appeared first on ProVideo Coalition.

FxFactory 6 review

December 26, 2016, 08:28 AM

http://www.macworld.com/article/3152107/videos/fxf...

FxFactory Pro 6 is an app store for professional video plugins compatible with Final Cut Pro X, Motion 5, Adobe After Effects CC, and Adobe Premiere Pro CC.

Using the Waves DBX 160 Compressor Limiter

December 24, 2016, 07:23 AM

http://logic-pro-expert.com/logic-pro-blog/2016/12...

In part three of this series of Waves video tutorials, Eli Krantzberg continues covering four of his favorite Waves compressors and shows you real-world examples of the plugins in action. Featured in this video: the Waves DBX 160 Compressor Limiter, an audio industry standard in the late ‘70s and throughout the ‘80s.

Intro to V-Ray for 3DS Max

December 24, 2016, 07:23 AM

http://helloluxx.com/new-product/18819/

Another day, another render … this Christmas Eve brings you V-Ray Irradiance Map.

Avid NEXIS Shared Storage provides more efficiency

December 23, 2016, 03:36 PM

http://www.avidblogs.com/avid-nexis-shared-storage...

For its digital post production, CINE PLUS has optimized workflows efficiency and reduced operating costs with Avid NEXIS E4 and NEXIS I PRO storage. The article Avid NEXIS Shared Storage provides more efficiency and tightly integrated solutions at CINE PLUS by Alexandra Maier appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Recreating the Assassin’s Creed Movie Title in F

December 23, 2016, 07:28 AM

http://www.fcp.co/final-cut-pro/tutorials/1910-rec...

Following on from Dylan Higginbotham's very successful Fantastic Beasts and Rogue One movie title recreations in Final Cut Pro X, he's back with great tutorial. This time he builds the Assassin's Creed movie title in FCPX.

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