It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 30, 2018, 04:41 PM
http://designingsound.org/2018/05/30/vox-news-a-qu...
American news website, Vox, has recently published an episode for their podcast, I think you’re Interesting, featuring sound designers Erik Aadahl and Ethan van der Ryn. For us, it was about really stripping everything out and building up what we needed, which is sometimes kind of the opposite of what happens when you’re putting the sound […]
May 30, 2018, 06:23 AM
http://www.avidblogs.com/noteperformer-3-for-sibel...
The post NotePerformer 3 for Sibelius appeared first on Avid Blogs.
May 30, 2018, 06:23 AM
http://designingsound.org/2018/05/30/interview-ats...
There is no excerpt because this is a protected post.
May 30, 2018, 06:23 AM
https://vfxserbia.com/2018/05/30/josh-parks-life-a...
Josh Parks is an experiences compositing artist working from DNEG to ILM and many other studios. He has shared his story and gave a few great advice how to progress in the VFX industry. Lets hear his story.
May 29, 2018, 04:29 PM
http://postperspective.com/pace-pictures-opens-lar...
Pace Pictures has opened a new sound and picture finishing facility in Hollywood. The 20,000-square-foot site offers editorial finishing, color grading, visual effects, titling, sound editorial and sound mixing services. Key resources include a 20-seat 4K color grading theater, two additional HDR color grading suites and 10 editorial finishing suites. It also features a Dolby Atmos mix stage designed by three-time Academy Award-winning re-recording mixer Michael Minkler, Continue reading →...
May 29, 2018, 04:28 PM
https://vfxblog.com/dinosaurinputdevice/
In visual effects lore, it is well-known that the full-motion dinosaurs of Jurassic Park were originally intended as stop-motion puppets animated by Phil Tippett’s Tippett Studio. That is, until a secret ILM test with computer-generated dinosaurs convinced director Steven Spielberg to go with that digital approach, perhaps changing the course of VFX history in the process.
May 29, 2018, 10:21 AM
http://www.avidblogs.com/editor-phil-bowman-meetin...
The post Editor Phil Bowman — Meeting the Challenge of Real Stories appeared first on Avid Blogs.
May 28, 2018, 09:44 AM
http://www.artofvfx.com/solo-a-star-wars-story-ui-...
Blind LTD have released many pictures featuring their UI work on SOLO – A STAR WARS STORY (click on the picture below to watch them)...
May 28, 2018, 04:24 AM
http://www.fcp.co/final-cut-pro/articles/2079-brad...
If you have been following the progress of "Off the Tracks", the documentary film about the birth of Final Cut Pro X, you will be interested in hearing from the film's producer, Brad Olsen. He takes us through 2 years of hard work on the film, from the initial idea up to the imminent premiere at LACPUG.
May 28, 2018, 04:24 AM
https://vfxblog.com/viewpaint/
Most people will have heard about the Industrial Light & Magic animation test that convinced Steven Spielberg to adopt computer graphics for the full-motion dinosaurs in Jurassic Park. It was a seminal moment in visual effects history. But along the way, ILM made several other stunning tech breakthroughs for the 1993 film.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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