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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Audio-Technica Offers Content Creation Microphone

May 9, 2017, 07:13 AM

http://www.dvinfo.net/news/audio-technica-offers-c...

A-T’s acclaimed AT8024, AT2020USB+, AT2020USBi, System 10 Camera-Mount Wireless, BP40 and AT2005USB microphones are valued tools for content creators STOW, OH, May 9, 2017 — Audio-Technica, a leading innovator in transducer technology for over 50 years, offers a range of microphones favored by podcasters, social media and YouTube personalities, journalists and interviewers, livestreamers, voiceover artists, [...]

Sunday Sound Thought #71 – Taken For Granted

May 8, 2017, 04:30 AM

http://designingsound.org/2017/05/sunday-sound-tho...

As I was preparing a guest contribution relating to the monthly theme of Sound Language & Lingo, I found myself thinking about hearing loss and how it relates to the spoken English language. I asked myself what a language might sound like were it created from scratch. What elements might be considered in its design? Perhaps efficiency in terms of speed, […]

Optimize Your Remote Sound Editing Setup

April 26, 2017, 06:37 PM

http://www.prosoundeffects.com/blog/optimize-your-...

Sound editing on-the-go? Try these tips for a faster, more streamlined workflow. While I always plan on doing my sound editing work on a desktop computer over speakers in my edit suite, there will always be times when having a reliable portable rig is incredibly useful and necessary. Inevitably, there ... The post Optimize Your Remote Sound Editing Setup appeared first on Pro Sound Effects Library.

Best Sound Design Categories Return To Tony Awards

April 26, 2017, 05:16 AM

http://designingsound.org/2017/04/best-sound-desig...

3 years after their controversial removal the Tony Awards have announced that they will be reinstating the categories of “Best Sound Design of a Play” and “Best Sound Design of a Musical” starting season 2017-2018. Starting next season, Best Sound Design of a Musical and Best Sound Design of a Play will be reinstated to the list of […]

Why I'm buying a Sound Devices MixPre 3

April 25, 2017, 05:12 PM

http://www.danmccomb.com/im-buying-sound-devices-m...

For years I’ve been wondering why Sound Devices didn’t make something like my MixPre – which is an amazing little mixer – but with recorder built right in. Maybe to protect their high-end recorder mixers? Maybe too hard to fit everything into such a small package? But as more and more companies like Zoom began offering affordable versions of such a device, it because pretty apparent that Sound Devices was leaving a LOT of small filmmaker dollars on the table that other manufacturers were...

Sound Devices launches MixPre Series of audio reco

April 24, 2017, 09:30 AM

http://www.postmagazine.com/Press-Center/Daily-New...

REEDSBURG, WI — Sound Devices, LLC (www.sounddevices.com) announces the launch of its new product line, the MixPre Series of audio recorders with integrated USB audio interface. The lightweight, robust, ultra-portable MixPre-3 and MixPre-6   are audio companions for musicians, sound designers, podcasters and videographers. Available now for $649 and $899, respectively, Sound Devices’ MixPre Series marks the first time the company is bringing its high-end, professional audio innovation...

Izotope unveils RX 6 for audio repair & enhancemen

April 21, 2017, 04:47 AM

http://www.postmagazine.com/Press-Center/Daily-New...

CAMBRIDGE, MA — Izotope, Inc. (www.izotope.com), maker of tools for audio production, has released RX 6, the latest update to its flagship audio repair and enhancement software. In RX 6, new features and workflows allow users to easily edit, repair and restore musical performances, while post production professionals can find new solutions to some of the once unsolvable issues found in today’s projects.

Sound Devices launches MixPre audio recorders

April 20, 2017, 06:10 AM

http://www.audiomediainternational.com/new-gear/so...

Sound Devices has announced the launch of its new product line: the MixPre Series of audio recorders with integrated USB audio interface.

How to Beat the Sound Effects Mastering Grind

April 19, 2017, 12:08 PM

http://www.creativefieldrecording.com/2017/04/19/h...

To capture field recordings, of course. I’ve travelled through Malaysia, Cambodia, Thailand, and Indonesia recording the sounds of the cultures in those places. I’ve wandered into obscure corners of Bangkok, Siem Reap, Kuala Lumpur, Denpasar, and other cities to find cool sound effects.

The Indie Filmmaker’s Guide to Recording Audio

April 18, 2017, 09:34 AM

https://www.premiumbeat.com/blog/record-indie-film...

Learn how to properly record audio on set with a traditional boom mic setup.

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