It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 4, 2018, 06:33 AM
http://www.avidblogs.com/lastjedi/
The article ‘Star Wars: The Last Jedi’ Editor, Bob Ducsay, Shares Media Composer Timelines by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
May 4, 2018, 06:32 AM
http://www.artofvfx.com/guardians-of-the-galaxy-vo...
Nice VFX Breakdown by Weta Digital about their work on GUARDIANS OF THE GALAXY VOL. 2...
May 4, 2018, 06:32 AM
http://bobbyowsinskiblog.com/2018/05/04/episode-21...
My guest this week is television and film composer Chris Boardman, who was one of my first guests when I started this podcast 4 years ago. He was originally on episode #11.
May 4, 2018, 06:32 AM
http://www.cgmeetup.net/home/jim-button-and-luke-t...
RISE – This reel showcases the work created at RISE | Visual Effects Studios for the film Jim Button and Luke the Engine Driver.
May 4, 2018, 06:32 AM
https://www.provideocoalition.com/faster-together-...
How many 4K TVs are on the shelves at Best Buy? Quite a few, right? You can pretty much pick up a 4K television for what it used to cost for a flat screen HD model. If you can recall, there was a time when shooting in 4K was possible, but it was difficult to deliver to 4K. Not so much anymore.
May 3, 2018, 04:31 PM
http://www.indiewire.com/2018/05/visual-effects-ma...
It’s been 10 years since Robert Downey Jr. suited up as Tony Stark in the iconic Mark 1 armor in “Iron Man.” Back then the VFX had to look good to win over CG skeptic Jon Favreau, but Industrial Light & Magic stepped up and earned the first of eight Oscar nominations for Marvel.
May 3, 2018, 09:17 AM
http://designingsound.org/2018/05/03/unsung-audio/
This guest contribution comes to us from Chris Didlick. Chris is the Head of Sound Design at Box Of Toys Audio, a music and sound design studio in London. A phrase and rule of thumb I often read is that sound design should go unnoticed, it should not draw attention to itself for fear of […]
May 3, 2018, 05:07 AM
https://www.screeneditors.com.au/7622-2/
Do you ever feel like you're using Premiere Pro the wrong way? Does it often give you troubles with media, frame rates, exports? Come along to discover a better way to use Premiere Pro. Bamdad Erfanian (Adobe Premiere instructor and Editor) will take you through a myriad of topics - from data wrangling different […]
May 3, 2018, 05:06 AM
https://www.provideocoalition.com/ae-project-diary...
When I started on the Xian project in 2011, it was the largest and most complex compositing project I had worked on. Even though about seven years have passed since then, I still think of it as some of the best work I’ve done – which isn’t usually the case with projects completed a long time ago.
May 2, 2018, 12:17 PM
http://www.studiodaily.com/2018/03/a-quiet-place-s...
It didn’t take long for sound editors Erik Aadahl and Ethan Van der Ryn to comprehend that A Quiet Place posed significantly different challenges from the blockbuster tentpole fare that has earned them both awards and accolades in the past. Indeed, the entire foundational narrative of John Krasinski’s new film is the fact that “it […] The post Co-Supervising Sound Editors Erik Aadahl and Ethan Van der Ryn enter A Quiet Place appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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