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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Keeper of the Screens

April 26, 2018, 04:53 PM

http://www.studiodaily.com/2018/04/keeper-of-the-s...

Museums have time-honored techniques for protecting and restoring sculptures and paintings, but what about TV sets? That’s right — TVs have been a fixture on the modern-art landscape since Nam June Paik pioneered video art back in the 1960s. Meet Chi-Tien Lui, the technician who keeps fine-art video installations glowing at museums including MoMA, Whitney and […] The post Keeper of the Screens appeared first on Studio Daily.

Review: Warren Eagle’s Resolve training

April 26, 2018, 01:50 PM

http://postperspective.com/review-warren-eagles-re...

By Brady Betzel With Blackmagic’s DaVinci Resolve 15 released at this year’s NAB, a lot of editors, colorists and now audio mixers want to dive in and see what all of the fuss is about. Resolve 15 now a Pro Tools competitor thanks to Fairlight and an After Effects competitor thanks to Fusion. Continue reading → April 26, 2018 The post Review: Warren Eagle’s Resolve training appeared first on Randi Altman's postPerspective.

Foundry Reveals Pricing, More Details on Athera VF

April 26, 2018, 01:50 PM

http://www.studiodaily.com/2018/04/foundry-reveals...

With today’s official launch of Athera, its new VFX-studio-in-the-cloud offering for both software and computing power, Foundry has finally released full details on pricing and availability of different applications and rendering services. Users can buy access to different applications available in the cloud — including Foundry’s Nuke, Cara VR and Katana and Side Effects Software’s Houdini […] The post Foundry Reveals Pricing, More Details on Athera VFX-Studio-in-the-Cloud appear...

Pro Tools: Track Presets for Audio Post – Workin

April 26, 2018, 01:49 PM

http://www.avidblogs.com/track-presets-for-audio-p...

The article Pro Tools: Track Presets for Audio Post – Working With Playlists by Daniel Lovell appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

ACID Pro and SOUND FORGE Pro updated

April 26, 2018, 01:49 PM

https://www.provideocoalition.com/acid-pro-and-sou...

The revolutionary ACID Pro is back this April, as well as a new version of SOUND FORGE, both lines revived to offer professionals more features, more power and the same ease of use.

easyDCP Exports From Final Cut Pro X Now on a Pay-

April 26, 2018, 09:17 AM

http://www.fcp.co/final-cut-pro/news/2069-easydcp-...

If you need to know about exporting from FCPX to provide a file that can be played in cinemas, you'll know about the difficulty and expense of making a DCP. Now easyDCP has launched a pay-as-you go service exporting out of FCPX with the easyDCP Publisher Bridge.

Sound Editors Ethan Van der Ryn and Erik Aadahl on

April 26, 2018, 03:40 AM

http://www.studiodaily.com/2018/04/sound-editors-e...

In John Krasinski’s post-apocalyptic horror film A Quiet Place, sound is a matter of life and death. The bloodthirsty aliens stalking an isolated farm family (played by the director and his real-life wife, Emily Blunt) hunt with their ears, setting the characters — and audience — on a nearly silent and terrifying tiptoe toward the […] The post Sound Editors Ethan Van der Ryn and Erik Aadahl on A Quiet Place ‘s Seriously Scary—and Silent—Sonic Experience appeared first on Studi...

Premiere Pro CC 2018 (12.1) User Review

April 26, 2018, 03:24 AM

http://www.premierebro.com/blog/premiere-pro-cc-20...

WHAT PREMIERE PRO USERS ARE SAYING ABOUT THE NEW FEATURES IN PREMIERE PRO CC 2018 (12.1). After every major release of Premiere Pro CC, we assemble a "user review" featuring Tweets from you, Premiere Pro users, and assess how well the new features were received. See what other video editors have to say about Color Match, Auto-Ducking, and other new features in Premiere Pro CC 2018 (12.1).

#editing#adobe#premiere pro#color#adobe premiere
Lindsay Seguin upped to EP at NYC’s FuseFX

April 25, 2018, 04:01 AM

http://postperspective.com/lindsay-seguin-upped-ep...

Visual effects studio FuseFX has promoted Lindsay Seguin to executive producer in the studio’s New York City office. Seguin is now responsible for overseeing all client relationships at the FuseFX New York office, acting as a strategic collaborator for current and future productions spanning television, commercial and film categories. Continue reading → April 24, 2018 The post Lindsay Seguin upped to EP at NYC’s FuseFX appeared first on Randi Altman's postPerspective.

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