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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Hawaiki Color

September 26, 2013, 07:00 PM

http://digitalfilms.wordpress.com/2013/09/26/hawai...

Color correction using graphical color wheels was introduced to the editing world in the Avid Symphony over a decade ago and adopted by nearly every NLE after that.  Final Cut Pro “legacy” had a two nice color correctors using the color wheel model, so adopters of Final Cut Pro X were disappointed to see the […]

Color Me Mini

September 24, 2013, 04:48 AM

http://coatofarmspost.com/articledetail43_ColorMeM...

Under Icon Interactive producer, Kathy Berghoff's direction, Coat of Arms created a consumer focused video about Mini Cooper for the Los Angeles Auto Show. The creative brief wished to capture the fun and quirky relationship Mini drivers have with their Mini Coopers.

Using Color Correction Gels with Digital

September 23, 2013, 03:10 PM

http://filmmakeriq.com/2013/09/using-color-correct...

Shane Hurlbut explains how he uses colored gels on lights to create looks with new digital camera sensors.

Bag of LUTs

September 22, 2013, 09:09 AM

http://frankglencairn.wordpress.com/2013/09/22/bag...

Last week, I stumbled over VisionColor's new set of OSIRIS LUTs. A grab bag of high quality Film emulations that gives you a great starting point for your grading.  Similar to FilmConvert they provide a range of film stock looks...

Late-Breaking New Features in Resolve

September 22, 2013, 09:07 AM

http://vanhurkman.com/wordpress/?p=2784

Late-Breaking New Features in Resolve

Art and Technique of Digital Color Correction

September 13, 2013, 05:23 PM

http://lappg.com/the-art-technique-of-digital-colo...

Reviewed by: Geoff van Maarten Anxious Little Dog Prods. COLOR IS WITHIN YOUR CONTROL! With the most-advanced camera, monitor and playback system ever developed (our eyes and brain) color management seems effortless to the uninitiated, but it is perhaps one of the most complex and least understood elements in video production. ‘The Art [...]

Color grading WORLD WAR Z

August 22, 2013, 04:44 AM

http://www.arri.com/news.html?article=1259&cHash=5...

In a summer of some major studio missteps, the zombie-themed WORLD WAR Z (WWZ) has achieved solid international success by crossing the $500 million mark. The film, starring Brad Pitt and directed by Marc Forster is based on the popular novel by Max Brooks about a pandemic in which massive armies of the undead threaten to destabilize the world.

How to colour grade stereoscopic 3D footage

August 16, 2013, 04:27 AM

http://www.macvideo.tv/editing/features/?articleid...

Colourist Dado Valentic of Mytherapy reveals how to overcome the challenges inherent in grading stereo 3D footage.

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