It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 19, 2019, 12:28 PM
https://postperspective.com/londons-media-producti...
By Mel Lambert The fourth annual Media Production Show, held June 11-12 at Olympia West, London, once again attracted a wide cross section of European production, broadcast, post and media-distribution pros. According to its organizers, the two-day confab drew 5,300 attendees and “showcased the technology and creativity behind content creation,” focusing on state-of-the products and services. Continue reading → June 19, 2019 The post London’s Media Production Show: technology for ...
June 19, 2019, 06:00 AM
https://www.cinema5d.com/red-giant-vfx-suite-relea...
Today, Red Giant Software released the latest addition to their already impressive collection of effects and grading suites. The Red Giant VFX Suite offers 9 freshly coded effects for immediate use in Adobe After Effects. Four of the nine also work in Premiere Pro. And all these effects can be tweaked and tailored to your specific needs, of course.
June 19, 2019, 05:59 AM
https://www.studiodaily.com/2019/06/zoic-studios-g...
The Perfection seemed to come out of nowhere when it arrived on Netflix last month and created a minor sensation among viewers who couldn't quite believe what they had just seen. The post Zoic Studios on Grisly VFX Perfection for the Netflix Revenge Drama That Took Social Media by Storm appeared first on Studio Daily.
June 19, 2019, 05:59 AM
https://www.provideocoalition.com/review-red-giant...
Red Giant Software has been developing After Effects plugins for over 15 years, and today they’ve launched their newest product. The brand new Red Giant VFX Suite is comprised of nine individual After Effects plugins, including an updated Primatte Keyer and the latest version of Knoll Light Factory. The new VFX suite replaces the older Keying... The post REVIEW: Red Giant VFX Suite appeared first on ProVideo Coalition.
June 18, 2019, 12:56 PM
https://postperspective.com/review-red-giants-vfx-...
By Brady Betzel If you have ever watched After Effects tutorials, you are bound to have seen the people who make up Red Giant. There is Aharon Rabinowitz, who you might mistake for a professional voiceover talent; Seth Worley, who can combine a pithy sense of humor and over-the-top creativity seamlessly; Continue reading → June 18, 2019 The post Review: Red Giant’s VFX Suite plugins appeared first on postPerspective.
June 18, 2019, 06:16 AM
https://deadline.com/2019/06/the-umbrella-academy-...
'The Umbrella Academy' VFX Supervisors explain how a talking chimpanzee was brought to life for Netflix superhero series.
June 18, 2019, 06:16 AM
https://beforesandafters.com/2019/06/18/heres-how-...
It’s been a few months since Adobe officially launched its Content-Aware Fill for video feature in After Effects. VFX artists will of course already be familiar with the need to remove unwanted objects from scenes; Content-Aware Fill is designed to do this somewhat automatically, as it does in Photoshop, but for moving images.
June 18, 2019, 06:15 AM
https://www.provideocoalition.com/after-effects-cl...
After that run of movies on blur effects, now we’re going to turn our attention to color, starting with what was one of our most-used plug-ins: Hue/Saturation. You maybe used to just grabbing the Hue wheel or Saturation slider to alter an image, but there is so much more inside this simple effect, including the... The post After Effects Classic Course: Hue Saturation Tips appeared first on ProVideo Coalition.
June 18, 2019, 06:15 AM
https://www.provideocoalition.com/lumafusion-2-0-s...
LumaFusion now features 12 tracks of video/audio, external monitor support, markers, and more, making this a dramatically enhanced new version of the video editing application for iOS. If you’re new to editing video and want to try LumaFusion, this is the best time to adopt the app. The special promotion running until June 27, 2019... The post LumaFusion 2.0 supports 12 tracks, markers and external monitor appeared first on ProVideo Coalition.
June 17, 2019, 05:52 AM
http://www.3dvf.com/actualite-26074-autodesk-devoi...
Autodesk unveils the 2020.1 version of 3ds Max . An update focused on the improvement of the workflow via some modernized tools.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.