It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 23, 2014, 12:39 PM
http://masteringfilm.com/how-to-think-about-gramma...
Directors and editors generally like unobtrusive cuts. The less attention the mechanics of film production take, the more attention goes to the story. The basic rules of film grammar are designed to further this goal. Following the basic rules will provide smooth transitions and a neutral flavor to the craftsmanship of your story. This general...
April 22, 2014, 11:00 PM
http://postperspective.com/postchat-editor-jeffrey...
By Randi Altman This week’s guest on #PostChat is veteran editor Jeffrey Wolf, whose film credits include Billy Madison, Beautiful Girls, Bachelorette, A.C.O.D. and the upcoming You’re Not You, starring Emmy Rossum and Josh Duhamel. While Wolf has edited feature films of all kinds, a majority of them have been comedies. His favorite type of project […]The post PostChat: Editor Jeffrey Wolf appeared first on postPerspective - Randi Altman's postPerspective.
April 22, 2014, 12:49 PM
http://www.indiewire.com/article/11-things-heard-a...
It's no surprise that Thelma Schoonmaker was the Tribeca Film Festival's choice for a panel about editing in film. Few editors have had more fruitful collaborations than the one between Schoonmaker and Martin Scorsese, which began in 1967 on "Who's That Knocking on My Door" and resumed in 1980 with "Raging Bull." Schoonmaker has edited all of Scorsese's features since that LANdmark, but for "The Cutting Room: An Insight to the Edit Suite" masterclass that took place over the weekend in New York,...
April 22, 2014, 08:42 AM
http://nofilmschool.com/2014/04/editor-thelma-scho...
On Friday, as part of the Tribeca Film Festival, Martin Scorsese’s longtime editor, Thelma Schoonmaker, sat down to discuss what was advertised as a look at her career. What we in the audience got was a granular breakdown of the editing and film techniques, as well as other production information, about the painstaking work that went into making Raging Bull, consistently voted one of the Best Films of the 1980s. Click through for a breakdown as well as some other inside tips from the artist wh...
April 21, 2014, 07:22 AM
http://robgwilson.com/2014/04/20/the-american-side...
A still from the upcoming feature film “The American Side”, directed by Jenna Ricker and edited by me.Filed under: Uncategorized Tagged: film, film noir, movie, the american side
April 21, 2014, 07:22 AM
http://blogs.creativecow.net/blog/13461/finding-th...
When I headed to the NAB Show last week(ish), part of my (personal) mission was to learn a little more about companies I didn’t know much about. Not just ask someone or read some Wikipedia stuff, but actually get to know what their missions are in post-production right now. I found that if I just went up to an industry peer and asked about Grass Valley, they’d give me a bit of “oh, they’re still around?” I mentioned to someone that I had just been to a Quantel press conference and they...
April 20, 2014, 08:28 PM
http://provideocoalition.com/ssimmons/story/pvc-at...
Sure Blackmagic Design had important new camera surprises (covered here by Matt) but it was the new features of DaVinci Resolve that most caught my eye. Why? Because they have added even more editorial tools to Resolve v11 and are building it into what looks to be a quite capable editor.
April 17, 2014, 01:01 PM
http://twainthestoryteller.com/2014/04/17/frame-of...
Deb Eschweiler is a freelancer in the Minneapolis/St. Paul area, with clients in Chicago, Louisville, Denver, San Francisco & Los Angeles. “Since we are in the age where exports & uploads no longer take all day, the fact that I haven’t met all of my clients face-to-face is less of an impediment to doing good […]
April 16, 2014, 06:03 PM
http://www.premiumbeat.com/blog/get-organized-befo...
Richard Harrington offers free slides from his "Getting Organized Before You Edit" talk from NAB 2014.
April 16, 2014, 07:56 AM
http://kyleesportfolio.com/blog/?p=1684
A couple of weeks ago, I traveled to scenic East Lansing, Michigan to serve as an editing judge for the National Press Photographers Association’s annual Best of Photojournalism contest. The contest honors the best news, photojournalist, and documentary video productions … Continue reading →
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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