To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Scheduling Time to Transfer Media Onsite
February 19, 2014, 05:42 AM
http://feedproxy.google.com/~r/CrewsControl/~3/JAO...
We have been shooting tapeless now for over a decade but in my experience Producers are still not accounting for media transfer time within the shoot day. With different codecs it’s important that both the crew and the client be on the same page in that regard. Now the crew needs to be aware of what card or drive they are recording to and which one needs to be moved to a client hard drive or backed up. We need to be ready to download the footage at moment’s notice. Read More
“Rings” Professional Final Cut Pro X Template
February 19, 2014, 05:42 AM
http://www.connerpro.com/rings-professional-final-...
FCP X: Using the New Stabilization Engine
February 19, 2014, 05:41 AM
http://www.macprovideo.com/hub/final-cut/fcp-x-usi...
We're not accusing cameramen of having shaky hands or being unstable... but sometimes video footage needs some extra help! In this tutorial, Iain Anderson shows
Update MXF4mac ImEx Suite
February 18, 2014, 05:56 PM
http://www.digitalproductionbuzz.com/2014/02/updat...
Huge increase of MXF export speed - Free Update
Rooster Post Helps Drive the Film, “Once More: T
February 18, 2014, 05:56 PM
http://roosterpost.wordpress.com/2014/02/18/rooste...
In 1955, Paul Loofs bought a Volkswagen Beetle and decided to drive it around the world: not once, but three times. And 58 years after its first trip around the world, Beetle ‘VIN 903847′ is still on the road. The … Continue reading →
mBURNS 2 for FCPX
February 18, 2014, 05:56 PM
http://www.digitalproductionbuzz.com/2014/02/mburn...
A brand new collection of 50 film strip and burn effects in 4k
Save 50% off Avid FX Training
February 18, 2014, 10:51 AM
http://www.borisfx.com/borisfxnews/2014/02/18/save...
Quick turnarounds are always looming for editors. Save time and add a new level of expertise to your arsenal by learning how to take full advantage of Avid FX – which is included for free with Avid Media Composer 6 … Continue reading →
Final Cut Pro X and Mac Pro Performance
February 18, 2014, 10:51 AM
http://provideocoalition.com/mspencer/story/final-...
How many streams of 4K can you play on a new Mac Pro? This week on MacBreak Studio, Steve Martin and Mark Spencer from Ripple Training answer that question and more. To be fair, a more accurate way to phrase the question would be: how many streams of UHD RAW,...
“The Art of Photoshop Compositing” Now Live on
February 18, 2014, 10:51 AM
http://blogs.adobe.com/jkost/2014/02/the-art-of-co...
I’m really excited to announce that my new class: The Art of Photoshop Compositing is now live on www.lynda.com! “Join Julieanne Kost as she walks you through her creative thought process and explains how she transforms concepts and raw images into entirely new works of art using Adobe Photoshop. Discover how to select the images you need to create a whole that is greater than the sum of its parts. Master the tools used in compositing, including adjustment layers, masking, blending,...
Lessons in new media documentary
February 18, 2014, 10:50 AM
http://kirstenstudio.com/archives/4310
Hollow’s Elaine McMillion and team talk participatory video, sound and visual design and more in this part II of two part Hallow: Our Lessons Learned, moderated by Opeyemi Olukemi of Tribeca Film Institute. (See Part I, Research, building audience, pre-production)
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