It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 14, 2018, 01:19 PM
https://filmschoolrejects.com/remembering-johann-j...
’d first knowingly heard Icelandic composer Jóhann Jóhannsson‘s work in Denis Villeneuve’s Arrival, in which the score is characterized by a low, rumbling din and staccato vocalizations that, fittingly, sound altogether alien to the ears.
February 14, 2018, 11:31 AM
https://www.amazingmusictracks.com/blog/shooting-y...
Check out how to prepare every scene with these quick tips on the establishing shot.
#production#filmmaking#shots#place tags here: film#establishing shotFebruary 14, 2018, 10:21 AM
http://postperspective.com/behind-title-encore-rya...
NAME: Kevin Kirwan COMPANY: Encore Hollywood CAN YOU DESCRIBE YOUR COMPANY? Encore specializes in television post production. I’ve been at Encore forever — they have nice people and it’s a nice working environment. JOB TITLE: Colorist WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 14, 2018 The post Behind the Title: Encore (and Ryan Murphy) Colorist Kevin Kirwan appeared first on Randi Altman's postPerspective.
February 14, 2018, 10:20 AM
http://lesterbanks.com/2018/02/creating-orbit-anim...
Plugin Everything Has a Look at using Cartoon MoBlur to Create a 3D Orbit Animation in After Effects The Team at Plugin Everything posts a look at creating a 3D orbiting animation with the help
February 14, 2018, 10:20 AM
https://www.filmmakingstuff.com/filmmaking-5-tips-...
No matter how awesome your movie, there are always ways to improve it. Having spent the greater part of my career working in film distribution, most rough cuts are ten minutes too long. But if you are like most filmmakers, you’re too close to the material to know what to cut and what to keep.
February 14, 2018, 06:27 AM
http://saeditores.org/Novedades/Syriana-por-Tim-Sq...
¿Cómo hacer un corte forzados por alguna circunstancia, y que parezca que tuvimos un buen motivo para realizarlo? A partir de ese planteo, Tim Squyres (ACE) -editor de Syriana (Stephen Gaghan, 2005)- reflexiona sobre la edición de diálogos, la cuestión acerca de cuándo cortar y a quién mostrar en cada momento de la charla, proponiendo como guía lo que nos va sugiriendo el propio material.
February 14, 2018, 06:26 AM
https://www.provideocoalition.com/day-14-28daysofq...
These two little controls might get you to a balanced image faster than ever before...
February 14, 2018, 06:26 AM
http://www.artofvfx.com/jumanji-welcome-to-the-jun...
Want to know more about the rhinos sequence in JUMANJI – WELCOME TO THE JUNGLE? Check out this VFX Breakdown by Iloura...
February 14, 2018, 06:25 AM
http://www.indiewire.com/2018/02/ves-awards-visual...
“War for the Planet of the Apes” from Weta Digital could well be on its way to the elusive VFX Oscar after winning four VES trophies Tuesday night at the Beverly Hilton (including the top feature prize). Christopher Nolan’s “Dunkirk” won for supporting VFX, Pixar’s “Coco” earned four awards (including VFX for animation), and “Game of Thrones” took home five awards (including VFX for TV).
February 13, 2018, 06:16 PM
http://postperspective.com/oscar-watch-the-shape-a...
Post production sound mixers Christian Cooke and Brad Zoern, who are nominated (with production mixer Glen Gauthier) for their work on Fox’s The Shape of Water, have sat side-by-side at mixing consoles for nearly a decade. The frequent collaborators, who handle mixing duties at Deluxe Toronto, Continue reading → February 13, 2018 The post Oscar Watch: The Shape (and sound) of Water appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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