It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 9, 2018, 01:42 PM
http://www.studiodaily.com/2018/02/vfx-better-brig...
The Orville presents a marked departure from creator Seth McFarlane’s usual fare. While never short on his trademark irreverent humor, this starship-based series set in the 25th century is surprisingly earnest in its presentation of a better and brighter future. The series has also not shied away from difficult contemporary subject matters presented in a sci-fi […] The post VFX for a Better, Brighter Future in Fox’s The Orville appeared first on Studio Daily.
February 9, 2018, 01:23 PM
https://www.amazingmusictracks.com/blog/shooting-a...
Shooting anamorphic is more accessible than ever nowadays. Take advantage of this technique in your next film project.
#film#filmmaking#lenses#place tags here: anamorphic#film gearFebruary 9, 2018, 11:53 AM
http://www.premierebro.com/weekinpr/week-in-premie...
Premiere Pro Week in Review: The Making of Never Goin' Back in Premiere Pro • Edit and Loop Music Accurately with BeatEdit • FREE Sharpen Preset and 7 Transition Presets for Premiere Pro • Create iPhone Texts, Particle Effects, and Cinemagraphs in Premiere Pro
#editing#adobe#premiere pro#tutorials#creative cloudFebruary 9, 2018, 04:57 AM
http://www.fcp.co/final-cut-pro/news/2038-copy-med...
Moving media, not the easiest of tasks even when using the Consolidate tool inside FCPX. Reference X from Tokyocode is a new $4 app that can copy media and export the original media file paths to a CSV file.
February 9, 2018, 04:57 AM
http://feedproxy.google.com/~r/richardharringtonbl...
Using shy layers to simplify the timeline from After Effects Guru: Mastering the Timeline by Richard HarringtonUsing shy layers to simplify the timelineAs your timeline starts to fill up, you might want to get rid of some layers.Not permanently, but rather hide them from view. Let's say, for example, we know that these blood cells don't need to be animated, and this locked layer, as well. So, I can minimize these. What I'm doing is clicking on this small icon,which is based on the hi...
February 8, 2018, 11:54 AM
http://www.artofvfx.com/i-tonya-juliet-tierney-vfx...
Juliet Tierney has been working in production since 1996. She has worked for many agencies and studios such as McCann-Erickson, Mother or MPC. She joined Eight VFX in 2016.
February 8, 2018, 05:23 AM
http://www.postmagazine.com/Press-Center/Daily-New...
CHICAGO — SIGGRAPH 2018, which will take place in Vancouver, BC, from August 12th through the 16th, has announced a call for submissions for the 45th conference, as well as two program expansions.
February 7, 2018, 01:49 PM
http://www.studiodaily.com/2018/02/focus-women-pro...
The USC Annenberg Inclusion Initiative (AII) has revealed the results of its annual report on Inclusion in the Director’s Chair and, again, Hollywood got a failing grade when it comes to putting women in positions of power on set. USC Annenberg associate professor Stacy Smith, who is the founder and executive director of the AII, […] The post Focus on Women in Production and Post appeared first on Studio Daily.
February 7, 2018, 10:53 AM
https://www.amazingmusictracks.com/blog/what-does-...
You may recognize some big names in this group but what does a director of photography actually do? Let's jump into all the different responsibilities.
#film#filmmaking#director#photography#place tags here: dpFebruary 7, 2018, 10:52 AM
http://www.prosoundeffects.com/blog/recording-anim...
Get insight on the methods used by one of the most accomplished animal recordists in film and game audio, Ann Kroeber. Layering animal sound effects is a common sound design trick. An elephant screech famously contributes to the classic Star Wars® TIE Fighter sound, roaring lions are tucked into revving ... The post Recording animal sound effects with Ann Kroeber appeared first on Pro Sound Effects Library.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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