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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Rocket Rooster

October 8, 2015, 01:31 PM

https://digitalfilms.wordpress.com/2015/10/08/rock...

Film emulation LUTs (color look-up tables) are always a popular discussion point and I’ve covered a number of the products on the market. Some of these are plug-in effects that include 3D LUT files as part of the package, like Koji, Color Finale, FilmConvert, etc. Others are toolkits with different types of files that are […]

Using the Fast Color Corrector in Premiere Pro

October 8, 2015, 01:31 PM

https://www.rocketstock.com/blog/using-the-fast-co...

When working on a project, you will always need to do some basic color correction, even if it’s simply going out on the web. However, if you’re short on time, there’s a handy tool in Premiere Pro that can kick your color correction into overdrive.

Behind-the-Scenes Look at 'The Good Dinosaur'

October 8, 2015, 10:29 AM

http://www.pixarpost.com/2015/10/behind-the-scenes...

Prepare to be astonished — The Good Dinosaur is set to wow audiences with its heartwarming friendship and a expansive landscapes — which appear to be plucked right from a postcard. Over the coming days and weeks we will dig deeper into the development of the story, production, animation and lighting (among many more areas) to uncover countless details as we chatted with select crew members while visiting the Studio on October 1 and 2.

The 5 Biggest Tech Flops in Modern Filmmaking

October 8, 2015, 10:28 AM

http://www.premiumbeat.com/blog/the-5-biggest-tech...

Not every technological innovation can change the world. Here are a few of the most notorious fails in modern filmmaking.

Creating interlaced video from progressive footage

October 8, 2015, 10:27 AM

http://www.fcp.co/final-cut-pro/tutorials/1731-cre...

One of the things we enjoy about running the site is receiving news or tutorials about things in Final Cut Pro X that we would never think about. This is one example, a very clever trick for making progressive footage appear interlaced in an interlaced timeline.

Taller *El montaje en secuencias de acción y susp

October 7, 2015, 02:18 PM

http://saeditores.org/Novedades/Taller-El-montaje-...

El Centro Cultural Kirchner en conjunto con la SAE organizan el taller El montaje en secuencias de acción y suspenso, dictado por Andrea Kleinman (SAE) (EDA). Orientado a estudiantes de cine y cinéfilos en general, el curso aborda la puesta en escena y el montaje en secuencias de cine de acción y suspenso, para afilar la mirada a la hora de guionar, filmar, montar o simplemente analizar este tipo de secuencias.

Celebrating Dogme

October 7, 2015, 12:50 PM

http://designingsound.org/2015/10/celebrating-dogm...

When the topic of restriction first came up I immeadiat […]

Waterline Magazine: Scripting with Realflow

October 7, 2015, 09:31 AM

http://www.waterline.tv/index.html

waterline magazine "Scripting with RealFlow" is free a PDF with almost 100 pages. The introduction to Python teaches you how to work with vectors, use RealFlow's scripting editors, differentiate between variables and data types, and create user interfaces.

Watch This Concept Video for Avengers End Credits

October 7, 2015, 09:31 AM

http://www.thecredits.org/2015/10/watch-this-conce...

As any film lover knows, there’s not a single moment of screen time that wasn’t conceived of and laboriously created by scores of people. This is especially true for end credits, and it’s extra especially true for Marvel films, where extra scenes and crucial information is often embedded. We’ve all seen the shawarma scene in the credits from 2012’s The Avengers. Title sequences and end credits are the first and last thing you see in a film, and they are the artistic playground of an en...

12 Ways to Be a Considerate Moviegoer

October 7, 2015, 09:31 AM

http://filmschoolrejects.com/features/12-ways-to-b...

This year has produced three of the highest-grossing films of all-time (Furious 7, Age of Ultron, Jurassic World) and devoted fans have something fun to watch every week. Yet, even with millions of passionate fans driving those blockbusters to immortality, it has never been a worse time to go see a movie.

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