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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Psychology of the Close-up in 'The Passion of

December 19, 2017, 01:50 PM

https://filmschoolrejects.com/psychology-close-pas...

he close-up is a cinematography technique used often on faces to show nuanced emotions or to hammer in broad emotions on an otherwise jaded audience. Recently, it’s been used more for details on small procedures or actions, highlighting the minutiae of machinery or hands working. But its usefulness in the realm of audience effect, changing how we see the minds of characters, is paramount.

Avid Pro Tools + Apple iMac Pro: Tuned To Perform

December 19, 2017, 12:14 PM

http://www.avidblogs.com/avid-pro-tools-apple-imac...

The article Avid Pro Tools + Apple iMac Pro: Tuned To Perform by Jake Altschuler appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

AICP and AICE to merge January 1

December 19, 2017, 12:11 PM

http://postperspective.com/aicp-aice-merge-january...

The AICP and AICE are celebrating the New Year in a very special way — they are merging into one organization. These two associations represent companies that produce and finish the majority of advertising and marketing content in the moving image. Post merger, AICP and AICE will function as a single association under the AICP brand. Continue reading → December 19, 2017 The post AICP and AICE to merge January 1 appeared first on Randi Altman's postPerspective.

Making The Cut: William Oswald — Feel the Rhythm

December 19, 2017, 12:11 PM

http://www.avidblogs.com/making-the-cut-william-os...

The article Making The Cut: William Oswald — Feel the Rhythm, Find the Emotion by Claire Sayers appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Ridley Scott Reveals How Kevin Spacey Was Erased

December 19, 2017, 12:10 PM

https://www.hollywoodreporter.com/behind-screen/ri...

On Monday, Nov. 6, cinematographer Dariusz Wolski was in a digital color grading suite at post house Company 3 completing All the Money in the World when he got a call canceling his scheduled Tuesday meeting with director Ridley Scott to review the final film. Two days later, with the clock ticking down to the movie's release, Scott announced in an unprecedented move that he was replacing Kevin Spacey, who had just been accused of sexual assault, with Christopher Plummer in the role of J. Paul...

How Boris FX Affects Effects in Premiere Pro

December 19, 2017, 09:04 AM

http://www.premierebro.com/blog/how-boris-fx-affec...

Mr. Boris FX himself, Boris Yamnitsky, CEO, shares the vision behind Boris FX and the beginning of the visual effects plug-in industry, and answers questions like what’s new in Continuum 11 and Sapphire 11, which product should I buy, and which products include Mocha integration in this Premiere Bro interview.

#premiere pro#boris fx#mocha#continuum#sapphire
Quick Tip: Adjust the Color of Water in After Effe

December 19, 2017, 06:44 AM

https://www.premiumbeat.com/blog/adjust-color-wate...

Learn how to easily adjust the color tone of water in your footage using Adobe After Effects. Includes free project file!

Step Inside the Cutting Room with Eddie Hamilton,

December 19, 2017, 06:43 AM

http://www.avidblogs.com/step-inside-the-cutting-r...

The article Step Inside the Cutting Room with Eddie Hamilton, ACE and Analyze the Timeline of “Kingsman: The Golden Circle” by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

OWC Launching Cutting-edge ThunderboltTM 3 Product

December 19, 2017, 06:43 AM

http://lappg.com/owc-launching-cutting-edge-thunde...

OWC will showcase the best in storage and connectivity solutions, and kick off its 30th anniversary celebration at the show. OWC®, a leading zero emissions Mac and PC technology company, will introduce and demonstrate an entire new family of ground-breaking ThunderboltTM 3-integrated products at the Consumer Electronics Show in Las Vegas. OWC’s management team and […] The post OWC Launching Cutting-edge ThunderboltTM 3 Products at CES 2018 in Las Vegas appeared first on lappg.

Oscars: 10 films remain in VFX race

December 18, 2017, 06:24 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES – The Academy of Motion Picture Arts and Sciences announced that 10 films remain in the running in the Visual Effects category for the 90th Academy Awards. The Academy’s Visual Effects Branch Executive Committee determined the shortlist.

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