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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Transcript: Digital Production Buzz – February 2

February 23, 2019, 08:43 AM

https://www.digitalproductionbuzz.com/2019/02/tran...

HOST Larry Jordan GUESTS Bernard Weiser, President, EIPMA (Entertainment Industry Professionals Mentoring Alliance) Paul Isaacs, Director of Product Management and Design, Sound Devices, LLC Robert Noone, Rental Manager, Location Sound Corp Durin Gleaves, Product Manager, Audio, Adobe, Inc.… The post Transcript: Digital Production Buzz – February 21, 2019 appeared first on Digital Production BuZZ.

Le livre blanc de la post-production

February 23, 2019, 08:43 AM

https://journaldunemonteuse.wordpress.com/2019/02/...

Le très beau et très utile travail des associations professionnelles de la post-production (dont LMA) est disponible ici sous la forme d’un livre blanc à lire et diffuser d’urgence. https://monteursassocies.com/content/2-actualites/167-parution-et-signature-du-livre-blanc-de-la-post-production-cinema/livre-blanc-de-la-post-production-cinema.pdf Publicités

Editors Guild Blasts Oscars Plan

February 16, 2019, 08:56 AM

https://variety.com/2019/film/news/editors-guild-p...

Editors Guild President Alan Heim has joined the chorus of dissent to the Academy’s plans to present four Oscar categories during commercial breaks and air the moments in condensed form later in the telecast.

Oscar Nominated Editor Robert Eisenhardt, ACE Join

February 15, 2019, 10:42 AM

http://manhattaneditworkshop.blogspot.com/2019/02/...

MEWShop is excited to announce that Oscar-nominated editor Robert Eisenhardt, ACE,  will join our March/April 2019 Six Week Intensive.Bob Eisenhardt is a three-time Emmy Award winner and Oscar nominee. With over 60 films to his credit, he has edited documentaries for Barbara Kopple, Maysles Films, Susan Froemke, Matt Tyrnauer, Marc Levin, David Grubin and Alex Gibney. Recent films include  the Oscar nominated Free Solo, Outside the Bubble: On the Road with Alexandra Pelosi, Wagner’s Dr...

ACE President Denounces Oscars Plans

February 14, 2019, 06:22 PM

https://variety.com/2019/film/awards/american-cine...

Stephen Rivkin, president of the American Cinema Editors organization, has issued a statement denouncing the Academy’s plans to present four Oscar categories during the commercial breaks and air the moments in condensed form later in the telecast.

Sundance 2019 — Catherine Haight, ACE, on Editin

February 13, 2019, 01:21 PM

http://www.avidblogs.com/sundance-2019-catherine-h...

The post Sundance 2019 — Catherine Haight, ACE, on Editing Troop Zero appeared first on Avid Blogs.

Semi-Permanent Sydney 2018 (2018)

February 11, 2019, 11:42 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

Over a few days every year Semi-Permanent is a pixel-pumping, creativity-boosting, and future-making series of events taking place in Sydney, Australia, and beyond.The festival was founded in 2003 by Murray Bell and Andrew Johnstone. Every year since its inception a designer (or design team) has been invited to create an opening title sequence to launch the festivities. For Sydney’s 2018 edition, an electrifying magenta-and-indigo sequence kicked things off, giving fans and attendees ...

Transcript: Digital Production Buzz – February 7

February 9, 2019, 02:31 PM

https://www.digitalproductionbuzz.com/2019/02/tran...

HOST Larry Jordan GUESTS Chris Brown, Exec. VP, Conventions & Business Operations, National Association of Broadcasters Barbara Griffith, President, SCL Equipment Finance Marius Ciocirlan, Co-Founder/CEO, ShareGrid René Morch, Product Manager, DPA Microphones James DeRuvo, Editor-in-Chief, doddleNEWS == Larry Jordan: Tonight, on the Buzz, we are introducing a new segment, called NAB Insight; where we got behind the scenes and talk with the folks who are staging, or presenting at ou...

Adobe and Avid need to support iXML metadata for a

February 7, 2019, 12:41 PM

https://www.provideocoalition.com/adobe-and-avid-n...

This post is just a gentle public shaming for my friends over at Avid and Adobe. They are behind the engineering times when it comes to what is one of the most useful bits of metadata that can come from the shoot: iXML metadata set by the audio recorder that identifies audio channel names. (What is iXML and this metadata for WAV audio files? Try here and here for some technical understanding).

Glass – Editing an Unconventional Trilogy

February 5, 2019, 07:30 AM

https://digitalfilms.wordpress.com/2019/02/04/glas...

Writer/director M. Night Shyamalan has become synonymous with films about the supernatural that end with a twist. He first gained broad attention with The Sixth Sense and in the two decades since, has written, produced, and directed a range of large and small films. In recent years, he has taken a more independent route to […]

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