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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Getting Started with Avid Link – Your New Creati

January 25, 2019, 05:45 AM

http://www.avidblogs.com/avid-link/

The post Getting Started with Avid Link – Your New Creative Home appeared first on Avid Blogs.

Dave De Carlo takes us on a tangled tale for Newfo

January 23, 2019, 01:21 PM

https://roosterpost.wordpress.com/2019/01/23/dave-...

Sparks’ director Paul Santana creates visual poetry with Target Marketing and Rooster editor Dave De Carlo in this tangled tale for Newfoundland & Labrador Tourism. Brand: Newfoundland & Labrador Tourism Title: A Tangled Tale Agency: Target Marketing Chief Creative Officers:  Jason Hill, Tom Murphy Copywriter: Dave Sullivan Art Director: Kevan Kaylan Producer: Heikki Kuld Production Company: Sparks Director: Paul Santana Cinematographer: Paul […]

Snubs And Surprises Loom Large at the Oscars

January 23, 2019, 06:09 AM

https://www.hollywoodnews.com/2019/01/23/snubs-and...

As we continue to make sense of the Academy Award nominations that were announced yesterday, a few things are very clear. Chiefly, we saw that the new crop of voters, representing a more diverse background, spread the love out more than usual. We sort of expect that, but perhaps not to this extent. As such, there were a whole host of snubs and surprise inclusions about 24 hours ago. As we start to make sense of it all, we can begin by looking at what the actual snubs and surprises were. There we...

Editor Barry Alexander Brown, BlackkKlansman

January 22, 2019, 08:43 PM

http://www.btlnews.com/awards/contender-portfolios...

Over the years working with director Spike Lee, BlacKkKlansman editor Barry Alexander Brown has developed a shorthand where they don’t necessarily complete a whole sentence. Brown worked on She’s Gotta Have It and School Days when they both were figuring out how to make a movie. “We have known each other for 37 years, since […] The post Editor Barry Alexander Brown, BlackkKlansman appeared first on Below the Line.

6 Filmmaking Tips from Sergei Eisenstein

January 22, 2019, 08:41 PM

https://filmschoolrejects.com/filmmaking-tips-from...

Along with the likes of D. W. Griffith and Yasujirō Ozu, Soviet filmmaker and theorist Sergei Eisenstein was one of the most influential directors of cinema’s formative years. Often deemed the “Father of Montage,” Eisenstein’s filmography includes such influential works as Battleship Potemkin (1925), October: Ten Days That Shook the World (1928), and Alexander Nevsky (1938).

Patrick J. Don Vito on editing Green Book

January 16, 2019, 02:13 PM

https://postperspective.com/patrick-j-don-vito-on-...

By Randi Altman Universal Pictures’ Green Book tells the story of an African-American piano virtuoso and his white driver, who have to navigate the Deep South in 1962 for a concert tour during a time when most places to eat and sleep were segregated. This unlikely pairing of the well-educated and sophisticated Dr. Continue reading → January 16, 2019 The post Patrick J. Don Vito on editing Green Book appeared first on Randi Altman's postPerspective.

Assistant Editor’s Bootcamp coming up with focus

January 15, 2019, 07:06 AM

https://postperspective.com/assistant-editors-boot...

The Assistant Editor’s Bootcamp returns on Saturday, January 19 and Sunday, January 20 with their third installment of bootcamp training. This month’s courses are geared to those interested in editing for reality television. Assistant Editing for Reality Television will be taught by founders Noah Chamow (The Voice) and Conor Burke (America’s Got Talent). Continue reading → January 14, 2019 The post Assistant Editor’s Bootcamp coming up with focus on reality TV appeared first on R...

Avid at NAMM 2019: live events will be streamed

January 11, 2019, 11:43 AM

https://www.provideocoalition.com/avid-at-namm-201...

An all-star roster will appear on Avid’s Main Stage at NAMM 2019, making it the premier location for music, audio post production and live sound with an an extraordinary line-up of audio professionals.

Wyatt Smith, ACE on Mary Poppins Returns

January 11, 2019, 11:42 AM

https://www.provideocoalition.com/aotc-poppins

Wyatt Smith, ACE has edited films including Nine, Pirates of the Caribbean: On Stranger Tides, Thor: The Dark World, 300: Rise of an Empire, and Doctor Strange. He was also nominated for an ACE Eddie for Best Edited Feature Film – Comedy/Musical for Into the Woods and an Emmy for the Tony Bennett: An American Classic special.

Black Panther editor: why Marvel reshoots are good

January 11, 2019, 05:26 AM

https://www.cnet.com/news/black-panther-editor-exp...

With Black Panther up for three Golden Globes, editor Debbie Berman explains how additional photography helps hone a movie's story right to the last minute.

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