It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 9, 2017, 01:52 PM
http://postperspective.com/creating-sounds-for-bat...
By Jennifer Walden Fox Searchlight’s biographical sports, drama Battle of the Sexes, delves into the personal lives of tennis players Bobby Riggs (Steve Carell) and Billie Jean King (Emma Stone) during the time surrounding their famous televised tennis match in 1973, known as the Battle of the Sexes. Continue reading → November 9, 2017 The post Creating sounds for Battle of the Sexes appeared first on Randi Altman's postPerspective.
November 9, 2017, 05:54 AM
http://saeditores.org/Novedades/Al-centro-de-la-ti...
Una síntesis personal de la edición por sus artífices.
November 9, 2017, 05:53 AM
http://saeditores.org/Novedades/La-SAE-entrego-el-...
Por primera vez, la SAE entregó un Premio al Mejor Montaje en el Festival Nacional de Cine de Tandil. Los ganadores fueron Delfina Castagnino, Santiago Esteves y Mariano González por la edición de Los Globos, dirigida por el propio González.
November 9, 2017, 05:53 AM
http://postperspective.com/detroit-editors-william...
By Chris Visser Kathryn Bigelow’s Detroit is not an easy film to watch. It deals with some very ugly moments in our nation’s history — specifically, Detroit’s 1967 12th Street Riot — and the challenge of adapting that history into a narrative feature film was no easy task. Continue reading → November 8, 2017 The post Detroit editors William Goldenberg, ACE, and Harry Yoon appeared first on Randi Altman's postPerspective.
November 9, 2017, 05:53 AM
http://www.avidblogs.com/the-a-list-kabir-akhtar-a...
The article The A-List — Kabir Akhtar, ACE, Editor of “Crazy Ex-Girlfriend” by Avid appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
November 9, 2017, 05:53 AM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Hi folks - today we are releasing Universe 2.2, an update to Red Giant Universe, our GPU accelerated plugins for editors and motion graphics artists. The post NEW: RED GIANT UNIVERSE 2.2 appeared first on Red Giant.
November 8, 2017, 02:54 PM
https://roosterpost.wordpress.com/2017/11/08/chris...
Editor Chris Parkins is incredibly proud to have worked with FCB Toronto and the Canadian Down Syndrome Society (CDSS) on “Anything But Sorry”, a new spot that builds on the success of FCB’s “Down Syndrome Answers” campaign. Read more about the talented people who worked on the full campaign here. AnythingButSorry.com #AnythingButSorry Read more about the campaign […]
November 8, 2017, 10:29 AM
http://www.digitalproductionbuzz.com/2017/11/digit...
Virtual Reality (VR) is captivating the imagination of many filmmakers. But what is it, how is it different from traditional film, and what do filmmakers need to know about it? This week, we answer those questions. Join host Larry Jordan as he talks with Michael Wohl, Michele Yamazaki, Matthew Celia, Andy Cochrane, Chris Bobotis, and James DeRuvo. Explaining 360/VR 360/VR Plug-ins - What's Available? Telling Stories With 360/VR VR Storytelling Requires New Skills A Developer's Pers...
November 8, 2017, 10:28 AM
http://designingsound.org/2017/11/gamasutra-audio-...
Martin Stig Andersen (Limbo, INSIDE) has written an extensive piece about his recent work on Wolfenstein II: The New Colossus in which he describes his use of Baschet Instruments, unique sound sculptures created by two French Brothers named François and Bernard Baschet. You can read the full article here.
November 8, 2017, 02:59 AM
http://www.avidblogs.com/making-the-cut-steven-wor...
The article Making The Cut: Steven Worsley — Learning From Experience by Claire Sayers appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.