It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 1, 2014, 08:07 AM
http://nofilmschool.com/2014/04/light-iron-future-...
Michael Cioni, CEO of post firm Light Iron, has been quite proactive in sharing the ins and outs of his company’s workflows, techniques, and philosophies. Previously, Cioni has highlighted the hurdles of The Girl with the Dragon Tattoo‘s 4K post production process, and gone in-depth about maintaining the color pipeline of Ender’s Game amidst extensive visual effects work. Now, in a video journal released in time for NAB 2014, Cioni breaks down Light Iron’s upgraded 4K, 6K and even 8K-rea...
April 30, 2014, 07:54 PM
http://postperspective.com/designeranimator-erik-e...
Nashville — Motion graphics designer and animator Erik Edmondson has joined Filmworkers Nashville. His resume includes commercials, broadcast design, title treatments and graphics; this allows Filmworkers to expand its menu of services, adding design and animation to its core post production offerings, which include editing, color correction, visual effects and editorial finishing. Edmondson has already completed several […]The post Designer/animator Erik Edmonson joins Filmworkers Nas...
April 30, 2014, 07:54 PM
http://www.premiumbeat.com/blog/after-effects-vide...
Easily create a cinematic crop in After Effects using this quick-tip by Mikey Borup.
April 30, 2014, 07:53 PM
http://hdslrshooter.com/nab-2014-why-premiere-will...
Every year HDSLR Shooter speaks with Adobe at NAB, and this year was no exception. With a new update to Creative Cloud coming our way any day now, Adobe had plenty to say in regards to what that update entails. First off was Patrick Palmer, who stopped to talk with us about how this update affects all Adobe apps, and how it affects larger, more complex workflows.
April 30, 2014, 07:53 PM
http://news.creativecow.net/story/875595
According to Director Adam Jones, Editor Dave Bradley “sets the bar for both the meticulousness and the instinct that you look for in an Editor,” he explains. “Dave never oversells his cuts and then when I see them...
April 30, 2014, 07:25 PM
http://provideocoalition.com/ryoung/story/tidbit-y...
Last November we did a quick exploration of How YouTube Works, which even with an update (on the "secret" algorithm) still left questions about caching unanswered. But explanations become apparent with a simple search word change to "buffering".
April 30, 2014, 03:37 PM
http://www.avidblogs.com/mcdsp-hd-plugins-support-...
The article Music: McDSP Plug-ins Now Go from Studio to Stage with Qualified Support for Avid S3L Systems by Colin McDowell appeared first on Avid Blogs - Get the music and post production tutorials and industry insight you need to bring great stories to life—read Avid Blogs..
April 30, 2014, 03:37 PM
http://www.premiumbeat.com/blog/the-red-giant-univ...
31 free and 19 paid plug-in’s help the Red Giant Universe make a splash in the post-production community.
April 30, 2014, 03:36 PM
http://provideocoalition.com/news/story/red-giant-...
Red Giant Universe, a revolutionary new community with access to an ever-expanding library of new tools and effects for filmmakers and motion graphic artists, is available today. Membership in Red Giant Universe is free and it allows our members to take control of the future of Universe...
April 30, 2014, 03:34 PM
http://www.tvtechnology.com/article/deluxe-values-...
LOS ANGELES— During post-production, Deluxe Entertainment puts a metatag on every scene when a character drinks a beverage, drives a car or puts on a pair of shoes. If specific product brands appear in a scene, they also get a metatag.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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