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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avid at IBC with new post workflows based on Media

September 17, 2017, 04:46 PM

http://postperspective.com/avid-ibc-new-post-workf...

At IBC2017, Avid introduced new MediaCentral solutions for post production. Dubbed MediaCentral for Post, the solutions integrate Media Composer video editing software with a new collaborative asset management module, new video I/O hardware and Avid Nexis software-defined storage. MediaCentral for Post is a scalable solution for small and mid-sized creative teams to enhance collaboration and deliver their best work faster, Continue reading → September 17, 2017 The post Avid at IBC with ...

Sunday Sound Thought #87 – Jazz Hands

September 17, 2017, 04:46 PM

http://designingsound.org/2017/09/sunday-sound-tho...

As has come before; many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span…Please bare with us as we traverse the abstract canals of audio musings. […]

Sennheiser previews FOCUSMIC Digital mini-shotgun

September 17, 2017, 04:45 PM

http://www.dvinfo.net/news/sennheiser-previews-foc...

Amsterdam, September 16, 2017 – At IBC, audio specialist Sennheiser is previewing the FOCUSMIC Digital, a rugged mini-shotgun microphone for high-quality videography with the iPhone. Designed with a proven Sennheiser capsule and Apogee PureDigital pre-amp and A/D converter, the FOCUSMIC Digital plugs directly into the Lightning port of the iPhone and delivers high-quality, focused audio [...]

EDA participó del FAH! Festival Audiovisual Heter

September 16, 2017, 03:32 PM

https://edaeditores.org/eda-participo-del-fah-fest...

Por tercer año consecutivo, EDA participó con un stand en el FAH! (Festival Audiovisual Heterogéneo en la Universidad Nacional de Lanús, encuentro interdisciplinario que convoca anualmente cientos de asistentes. Allí durante la jornada anual los participantes pudieron encontrar el stand de la Asociación, conocer más sobre nuestras actividades y adquirir su ejemplar del libro “Entre […]

Avid’s New MediaCentral for Post Brings Collabor

September 16, 2017, 03:31 PM

http://www.studiodaily.com/2017/09/avids-new-media...

Avid is coming on strong at IBC with a raft of announcements including the promised debut of a Microsoft Azure cloud-based implementation of its MediaCentral platform. But the biggest news for editors may be a post-production workflow driven by MediaCentral Editorial Management that brings collaborative editing features for smaller teams to Avid Media Composer and Adobe Premiere Pro. Avid […] The post Avid’s New MediaCentral for Post Brings Collaborative Features to Media Composer, ...

ART OF THE CUT with "IT" editor, Jason Ballantine

September 16, 2017, 03:31 PM

https://www.provideocoalition.com/AOTC-IT

Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in Los Angeles. He has won and been nominated for several Australian Awards for The Great Gatsby, Wish You Were Here and Wolf Creek. He was also a part of the Oscar winning team for Mad Max: Fury Road. In this installment of Art of the Cut, Jason and I discuss his most recent feature, Stephen King’s IT.

Maya LT 2018 - Rigging

September 16, 2017, 03:30 PM

http://www.cgmeetup.net/home/maya-lt-2018-rigging/

Maya LT provides several ways to rig characters for animation, giving character riggers the most flexibility.

Blackmagic Design announces Ultimatte 12

September 16, 2017, 03:30 PM

https://www.provideocoalition.com/blackmagic-desig...

Ultimatte 12 will be demonstrated at IBC 2017, on the Blackmagic Design booth. Discover a new realtime hardware compositing processor that’s perfect for broadcast quality keying and much more.

Sennheiser FOCUSMIC Digital - Smart Mobile Sound

September 16, 2017, 03:30 PM

https://www.cinema5d.com/sennheiser-focusmic-digit...

The Sennheiser FOCUSMIC Digital is an on-smartphone microphone designed for video journalism and vlogging with iPhones. The microphone is directional and can be quickly orientated for a variety of filming scenarios with your front-facing or rear camera.

VFX Basics with Vegas Pro by Bobby Grubic

September 15, 2017, 01:35 PM

https://www.provideocoalition.com/vfx-basics-with-...

In our third look at MAGIX Vegas Pro we’re looking at a bit more depth when it comes to effects and adding some pizazz to your video. Like many other NLEs, Vegas Pro has a palette full of video effects (more can be added via the Vegas plug-ins) that can be applied using a clip by clip method. You can also apply effects to an entire track without using the adjustment layer way of working that some other NLEs use. But the design of Vegas takes effects one step further and lets you apply effects ...

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