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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Re-Color and Motion Track with the Paint Ef

August 4, 2016, 12:25 PM

http://www.avidblogs.com/how-to-re-color-and-motio...

The article How to Re-Color and Motion Track with the Paint Effect in Avid Media Composer by Brian Benoni appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Panasas intros hybrid scale-out NAS ActiveStor 20

August 4, 2016, 09:26 AM

http://postperspective.com/panasas-intros-hybrid-s...

Storage company Panasas has introduced ActiveStor 20, the company’s latest generation hybrid scale-out NAS appliance.  According to Panasas, it features a 65 percent increase in flash and a 25 percent increase in hard drive capacity. High-density flash drives and 10TB HGST Ultrastar He10 helium-based hard drives offer unstructured sequential file and mixed-workload performance with rapid access to both large and small files. Continue reading →August 4, 2016

Augmented Reality Is Already Huge

August 4, 2016, 05:31 AM

http://www.digimediapros.com/augmented-reality-is-...

In this article, Philip Hodgetts makes a case that augmented reality is not only here, but it's here in a big way. He also compares and contrasts the differences between augmented reality and virtual reality.

Opinion: Why Apple should jump into HDR video - an

August 4, 2016, 05:30 AM

http://www.redsharknews.com/business/item/3671-opi...

Clayton Moore argues that Apple should be implementing high dynamic range capability across its product lines (and, indeed, speculates that this may already be happening). AppleHDRHigh Dynamic RangedisplaysTelevisionsBusiness

Goldcrest Post Delivers Jason Bourne Post Producti

August 3, 2016, 12:29 PM

http://boscpug.org/goldcrest-post-delivers-jason-b...

Goldcrest Post London used DaVinci Resolve Studio to complete the edit, color grade and HDR finishing for Universal Pictures’ “Jason Bourne,” in which Matt Damon returns to his most iconic role.

Plus long le chat dans la brume, journal d’une m

August 3, 2016, 12:29 PM

https://journaldunemonteuse.wordpress.com/2016/08/...

Le voilà enfin ! Tout chaud sorti des cartons de l’imprimeur et édité par les éditions Adespote (une toute jeune maison d’édition !) Je suis très émue ! Et je le trouve plus beau que dans mes rêves ! Mes … Lire la suite →

Open Call for the Karen Schmeer Film Editing Fello

August 3, 2016, 12:29 PM

http://manhattaneditworkshop.blogspot.com/2016/08/...

The Open Call for submissions for our 2017-18 fellowship begins today! The online application must be completed by September 30, 2016. There is no fee to apply.As you know, the Karen Schmeer Film Editing Fellowship honors the memory of our friend and gifted editor Karen Schmeer. Inspired by Karen's generous nature, the fellowship assists emerging documentary editors by developing their talent, expanding their creative community, and furthering their career aspirations. We work with Ameri...

How to Manage a Story-Centric Workflow Within a Si

August 3, 2016, 09:17 AM

http://www.avidblogs.com/how-to-manage-a-story-cen...

The article How to Manage a Story-Centric Workflow Within a Single UI by Craig Wilson appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

FCP vs Premiere Pro #2: The Timeline

August 3, 2016, 06:06 AM

http://www.digimediapros.com/fcp-vs-premiere-pro-2...

The goal of this tutorial series, FCP vs Premiere Pro, is not to start a war or to convince people to use one app over the other, but to provide enough information so that users understand how to perform similar tasks in both apps. In this second episode, Marcelo Lewin and guest presenter Patrick Southern, will show you how the timeline works and how to bring footage into it in both FCP X and Adobe Premiere Pro.

5 ways to stay in creative control

August 3, 2016, 06:03 AM

http://www.creativebloq.com/features/5-ways-to-sta...

Even the most organised of designers and creative directors can get overwhelmed by a hectic workload every now and then. But what's the best way to deal with a deluge of deadlines? In the latest interview from our video series with SomeOne, project manager Locket Aebischer and account manager Rosie Brennan reveal how they juggle multiple clients.

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