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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

What’s New and Next for Creative Cloud Video

October 9, 2015, 04:30 PM

http://www.provideocoalition.com/what-s-new-and-ne...

Adobe unveils Adobe Premiere Clip 2.0, Adobe Capture CC, and advances coming to the professional video tools 

Premiere Elements 14 – make captivating movies

October 9, 2015, 09:29 AM

http://blogs.adobe.com/contentcorner/2015/10/09/pr...

Your favorite video editing product now gives you more reasons to call it your favorite. Premiere Elements 14 comes with a whole new bunch of features that will give your movies that extra something. Create stunning movie titles, enhance your audio clips, bring in color pops, and export to multiple formats. Here’s a look at what you get from the best. Motion Titles Tell a more compelling story with the stunning new motion titles. Enjoy the convenience of predefined templates and the flex...

Timeless Dreams

October 9, 2015, 09:29 AM

http://www.studiodaily.com/2015/10/timeless-dreams...

Light and shadow intermingle in this gorgeous "layer-lapse" video where different regions of a time-lapse scene are composited together, creating stunning, unreal lighting effects. It was shot with Canon 1Dc, 5D Mark iii, 60D and 70D cameras and Kessler motion-control equipment by … more » The post Timeless Dreams appeared first on Studio Daily.

Q&A: VideoBlocks CEO Joel Holland

October 9, 2015, 09:29 AM

http://www.studiodaily.com/2015/10/videoblocks/

Since Joel Holland launched VideoBlocks in 2010, his Netflix-like subscription model for all-you-can-eat stock footage has made an aggressive play in the stock marketplace. The company became a resource for content creators who wanted a broad no-muss, no-fuss library of … more » The post Q&A: VideoBlocks CEO Joel Holland appeared first on Studio Daily.

The Hidden Stories Behind Weird Post-Production Te

October 9, 2015, 05:58 AM

http://www.premiumbeat.com/blog/the-hidden-stories...

Ever wonder where some of those strange post-production terms came from? Here are some origin stories you might not know.

Blue Collar Post Collective Fix It In Post: Post-E

October 8, 2015, 07:08 PM

http://www.motionelements.com/blog/uncategorized/b...

MotionElements recently sponsored ‘Fix It In Post’, an interesting and insightful event that was hosted in New York on 16th September by Blue Collar Post Collective. We wanted to tell you a little bit more about it…   Fix It In Post was held to demystify the post-production workflow. This event was a town-hall style […]

Mark Mangini keynotes The Art of Sound 
Design a

October 8, 2015, 07:08 PM

http://postperspective.com/mark-mangini-keynotes-a...

Panels focus on specifics of music, effects and dialog sound design, and immersive soundtracks By Mel Lambert Defining a sound designer as somebody “who uses sound to tell stories,” Mark Mangini, MPSE, was adamant that “sound editors and re-recording mixers should be authors of a film’s content, and take creative risks. Art doesn’t get made without risk.” A sound designer/re-recording mixer at Hollywood’s Formosa Group Features, Mangini outlined his sound design philosophy d...

Blue Collar Post Collective Fix It In Post: Post-E

October 8, 2015, 07:07 PM

http://www.motionelements.com/blog/uncategorized/b...

MotionElements recently sponsored ‘Fix It In Post’, an interesting and insightful event that was hosted in New York on 16th September by Blue Collar Post Collective. We wanted to tell you a little bit more about it…

Rocket Rooster

October 8, 2015, 01:31 PM

https://digitalfilms.wordpress.com/2015/10/08/rock...

Film emulation LUTs (color look-up tables) are always a popular discussion point and I’ve covered a number of the products on the market. Some of these are plug-in effects that include 3D LUT files as part of the package, like Koji, Color Finale, FilmConvert, etc. Others are toolkits with different types of files that are […]

Pro Tip: Add 3D Text in Final Cut Pro X

October 8, 2015, 10:29 AM

http://www.premiumbeat.com/blog/pro-tip-add-3d-tex...

If you haven't been using FCPX, you may have missed how great some of the new features are. Here's how you can simply drag and drop 3D text into your video!

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