It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 4, 2017, 04:59 AM
http://postperspective.com/maxon-debuts-cinema-4d-...
Maxon was at this year’s SIGGRAPH in Los Angeles showing Cinema 4D Release 19 (R19). This next-generation of Maxon’s pro 3D app offers a new viewport and a new Sound Effector, and additional features for Voronoi Fracturing have been added to the MoGraph toolset. It also boasts a new Spherical Camera, Continue reading → August 3, 2017 The post Maxon debuts Cinema 4D Release 19 at SIGGRAPH appeared first on Randi Altman's postPerspective.
August 3, 2017, 12:45 PM
http://www.postmagazine.com/Press-Center/Daily-New...
PHILADELPHIA — Media 100 is a partnership between Boris FX, the developer of visual effects and post production solutions, and MacVideo Promo, a promotion company that offers exclusive deals on tools for Mac video editors. The team released the free Media 100 Suite 2.1.8 months ago and since, a number of editors are using the solution to produce material for a broad range of audiences, including primetime television, Fortune 500 companies, and live shows.
August 3, 2017, 12:44 PM
http://www.avidblogs.com/removing-unwanted-objects...
The article Removing Unwanted Objects with Mocha Pro and Media Composer by Mary Poplin appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
August 3, 2017, 09:28 AM
https://lbbonline.com/news/what-do-editors-make-of...
They can tweet pithy biblical verse, defeat Go champions and predict disease, but can AIs ever replace real craft? Adobe and Stanford University have their sights set on the craft of editing – in June a group of researchers from both organisations published a project that showed an artificial intelligence attempting to edit together a short scene. The programme organises the rushes and identifies different kinds of shots – and then cuts together a clip based on instructions or style template...
August 3, 2017, 09:28 AM
http://www.cgmeetup.net/home/chevrolet-trax-vfx-br...
Altvfx – Produced by Black and Cameron and directed by Bullit’s Anthony Leonardi III for McCANN, the spot begins with the image of a futuristic, robototic horse galloping at speed through the Toksun Desert in Xin’Jiang Province, before it transforms into the bold new Trax.
August 3, 2017, 09:28 AM
http://www.artofvfx.com/valerian-and-the-city-of-a...
In 2014, Philippe Rebours explained to us about the work of ILM on NOAH. He then worked on visual effects on AVENGERS: AGE OF ULTRON.
August 3, 2017, 05:02 AM
http://www.karenschmeer.com/news/2017/8/2/open-cal...
The Karen Schmeer Film Editing Fellowship open call for its eighth annual award will run August 2, 2017 through September 29, 2017.Applicants must have edited at least one feature documentary (60 minutes or longer) but no more than three and plan on living in the US between March 2018 and March 2019. The fellowship champions emerging documentary editors by developing their talent, expanding their creative community, and furthering their career aspirations. In collaboration with American Cin...
August 3, 2017, 05:02 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“So, what's the choice, James? Two targets. Time enough for one shot: the girl or the mission?” — Alec Trevelyan ...
August 3, 2017, 05:01 AM
http://www.animationmagazine.net/events/siggraph-f...
Adobe Research has built on its Project StyLit experiments to develop a new project called “Stylized Facial Animation” — a tool for automating rotoscopy which can apply any selected artistic style, from a pastel sketch to a bronze statue, onto video footage of actors’ faces. Adobe will hold a public demo of the technology on Thursday, August 3 at SIGGRAPH, or you can read up on the project in Digital Trends’ interview with Senior Principal Scientist David Simons.
August 3, 2017, 05:01 AM
http://www.goldderby.com/article/2017/2018-oscar-p...
When it comes to predicting the Oscar winner for Best Film Editing, you can’t go wrong by looking for the movie with the most cuts. Past winners “The Bourne Ultimatum” (2007), and “Mad Max: Fury Road” (2015) included high-octane action sequences with frenetic cutting.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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