It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 6, 2015, 12:36 PM
http://thedissolve.com/features/movie-of-the-week/...
Left to his own devices, Walter Murch turned The Conversation into a powerful demonstration on how editing shapes a film.
May 6, 2015, 12:36 PM
http://www.thecredits.org/2015/05/how-to-make-a-ki...
There, he quickly became hooked on movie teasers. “There was something compelling for me about looking at footage and compressing it to tell a story,” says Temple, CEO and lead editor of Wild Card. “I really got intrigued with the idea of selling a message through images and music.”
May 6, 2015, 12:34 PM
http://postperspective.com/inventions-leave-post-s...
The team behind RuckSackNY branch out By Randi Altman One of the big reasons I love this industry and couldn’t imagine working at anything else is the people. Not only are they nice on the whole, but creativity oozes out of them in ways that go beyond their day job. Many I’ve interviewed over the years relax by playing music, writing, drawing… even making wine. They can’t help but to create. That brings one pro to mind immediately. Fred Ruckel, creative director at NYC’s RuckSac...
May 6, 2015, 09:56 AM
http://www.studiodaily.com/2015/05/mixer-kevin-oco...
Re-recording mixer Kevin O'Connell is back at Sony Pictures Post Production Services, where he has completed four projects—The Boy Next Door, Self/less, No Good Deed, and Pitch Perfect 2—and is working on Goosebumps with director Rob Letterman. Could one of those projects earn him an Academy … more » The post Renowned Mixer Kevin O’Connell Back at Sony Pictures After Seven Years Away appeared first on Studio Daily.
May 6, 2015, 06:36 AM
http://www.aotg.com/index.php?page=audio_levels_me...
Probably the most frequent question I get from editors is about a target level for their audio mix. I hear numbers such as 0 dB, 6, 18, etc., which typically refer to dBFS (decibels relative to full scale) as reflected on the builtin Peak Program Meters (PPM) in their NLE...
May 6, 2015, 05:15 AM
http://www.fcp.co/final-cut-pro/tutorials/1659-sec...
Two new tutorials from the Ripple barn, secondary colour correction in Final Cut Pro X and how to build animated titles in DaVinci Resolve.
May 6, 2015, 05:15 AM
http://www.avidblogs.com/who-am-i-post-production-...
The article Inside the Post Production and Film Score of German Hacker Thriller ‘Who Am I’ by Ingo Gebhardt appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
May 6, 2015, 05:14 AM
http://soundandpicture.com/2015/05/maxon-at-the-20...
Newbury Park, CA – MAXON, the industry-leading developer of professional 3D modeling, painting, animation and rendering solutions, announces exhibitor and sponsor participation at the How Design Live conference “…the biggest, most inspiring, educational and talked-about design event anywhere in the world, covering the latest topics in graphic design, marketing and branding. The event takes place May 4 – 8 in Chicago, Ill., at the Hyatt Regency Chicago.
May 6, 2015, 05:12 AM
http://www.xdcam-user.com/2015/05/wysiwyg-luts-to-...
Here are a couple of high dynamic range WYSIWYG LUTs to play with. These are for the F5/F55/FS7. The camera should be set to SGamut3.cine/S-log3 and the EI should be set to the base EI (2000EI F5/F55 and 1250 EI on the F55).
May 6, 2015, 05:12 AM
http://andreasdeja.blogspot.ca/2015/05/animated-el...
Here is another post featuring Madame Bonfamille from The Aristcats. I sort of have a thing about the film's opening sequence, which introduces the main human characters. Edgar, the butler, George Hautecourt, the lawyer, and Madame, all animated beautifully by Milt Kahl.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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