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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Sounds of the Nightmare Machine

July 3, 2017, 05:31 PM

http://www.studiodaily.com/2017/06/sounds-nightmar...

Mark Korven, the composer behind the deliciously creepy score for period supernatural drama The Witch, solos on The Apprehension Engine, a musical instrument crafted by guitar-maker Tony Duggan-Smith to scratch an especially spooky musical itch. The post Sounds of the Nightmare Machine appeared first on Studio Daily.

Editors Dean Zimmerman and Kevin Ross on Stranger

July 3, 2017, 05:31 PM

http://www.studiodaily.com/2017/06/editors-dean-zi...

Stranger Things, Matt and Ross Duffer’s intoxicating homage to supernatural thrillers from the 1980s, is a master class in pop-culture synthesis. Blending otherworldly elements from the best of Stephen King and Steven Spielberg’s kid-centric adventures with a creeping sense of R-rated bloodthirstiness straight out of The Thing and The Shining, the retro Netflix series feels […] The post Editors Dean Zimmerman and Kevin Ross on Stranger Things appeared first on Studio Daily.

Review: Blackmagic Design DaVinci Resolve Micro Pa

July 3, 2017, 05:30 PM

http://www.studiodaily.com/2017/07/review-blackmag...

The look and feel of our images are critical to communicating the intended genre to our viewers. Deliberate overexposure, say, by blowing out windows and highlights, can contribute to a sci-fi ethereal look, while deliberate underexposure, by lowering the black level and deepening the shadows, can add serious drama to an otherwise flat, lackluster scene. […] The post Review: Blackmagic Design DaVinci Resolve Micro Panel appeared first on Studio Daily.

Virtual NDR studio in Kiel — More Flexible Desig

July 3, 2017, 05:30 PM

http://www.avidblogs.com/virtual-ndr-studio-in-kie...

The article Virtual NDR studio in Kiel — More Flexible Design with Avid by MEDIEN BULLETIN appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

What’s New With the Avid Customer Association?

July 3, 2017, 05:29 PM

http://www.avidblogs.com/whats-new-with-the-avid-c...

The article What’s New With the Avid Customer Association? by Maria Russo appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

ASE MENTOR AND MENTEE MUSINGS

July 3, 2017, 05:12 AM

http://www.screeneditors.com.au/ase-mentor-and-men...

ASE MENTOR AND MENTEE MUSINGS Nick Beauman ASE and Jenny Hicks NICK BEAUMAN ASE – ASE Lifetime Member and Mentor: I have been in film post-production for 57 years;  everything I’ve learned has largely been through trial and error, and I realise looking back how invaluable a mentor might have been for ME.  I  started out […]

Speeding up the Creation of Subtitles in Final Cut

July 3, 2017, 05:12 AM

http://www.fcp.co/final-cut-pro/news/1981-speeding...

Subtitles, love them or hate them, they are an essential part of constructing a programme for domestic or international distribution. Jan Willem den Bok has written a plugin that speeds up the process of building subtitles in a show on an FCPX timeline.

Creating the Sound of War – QLD

July 3, 2017, 05:12 AM

http://www.screeneditors.com.au/creating-the-sound...

Queensland Creating the Sound of War. In March, we collaborated with the Australian Screen Sound Guild (ASSG) on an event titled “Creating the Sound of War”. Academy nominated Sound Editor, Liam Price, took us on an exploration of the sound design from one of Hacksaw Ridge’s pivotal battle scenes. Liam started the session by playing the battle […]

Freelancers’ Information Night – Victoria

July 3, 2017, 05:12 AM

http://www.screeneditors.com.au/freelancers-inform...

Victoria ASE Presents:  Freelancers' Information Night 29TH March, 2017 – Sam Hardy An assembly of 28 assorted post practitioners ranging from students assistant editors and editors filled the upstairs room of The Palace Hotel to listen to the legendary Belinda Fithie. Belinda in the past has generously given her advice and recommendations based off her […]

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