It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 29, 2017, 09:12 AM
http://www.artofvfx.com/the-fate-of-the-furious-ph...
Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work as Lead Product Designer for Flame / Smoke. At Rodeo FX, he worked on CENTRAL INTELLIGENCE and THE SPACE BETWEEN US.
May 29, 2017, 09:12 AM
http://www.3dvf.com/actualite-20284-siggraph-2017-...
On the occasion of the SIGGRAPH 2017, French researchers will present publications on the models of materials.
May 29, 2017, 09:12 AM
http://www.artofvfx.com/ghost-in-the-shell-vfx-bre...
Really cool VFX breakdown by Atomic Fiction about their work on GHOST IN THE SHELL...
May 29, 2017, 05:22 AM
http://alex4d.com/notes/item/today-at-apple-hours-...
‘Today at Apple’ is a new programme of events and training at Apple locations worldwide. ‘Pro Series Sessions’ is a category of free training for Final Cut Pro X and Logic Pro X. Here is a rundown of free education for those looking to learn about Final Cut Pro X. The sessions are designed so that you run your copy of Final Cut Pro X on a MacBook you bring in. If you don’t yet have Final Cut Pro X, a MacBook Pro with it installed can be provided for each session. Go to the 'Toda...
May 29, 2017, 05:22 AM
http://www.screeneditors.com.au/the-power-of-the-c...
The second 'POWER OF THE CUT' event will be heldat the AFTRS TheatreBuilding 130, The Entertainment Quarter, Moore Park, NSWon Thursday 8th June at 6:45 pm for a 7 pm startplease rsvp to:office@screeneditors.com.au
May 29, 2017, 05:21 AM
http://www.artofvfx.com/bridget-jones-baby-vfx-bre...
Union VFX presents their work on BRIDGET JONES’ BABY...
May 29, 2017, 05:21 AM
https://www.asoundeffect.com/roller-coaster-amusem...
Finnish recordist Pyry Survo has created a unique sound effects collection, capturing a wealth of hard-to-access recordings from roller coasters and other amusement rides, as well as amusement park ambiences. It was a huge undertaking, and below, he shares the story behind the making of this impressive collection...
May 28, 2017, 06:42 AM
http://designingsound.org/2017/05/sunday-sound-tho...
I’ve actually spent some time this month thinking about terminology and lingo since it was the monthly theme. And in that odd phenomenon that is synchronicity, it seemed to follow me around. When I was thinking about terminology and lingo I was drawn to the unique language we have as sound professionals and the barriers […]
May 28, 2017, 06:41 AM
https://www.provideocoalition.com/aotc-kedi/
Mo Stoebe currently works as freelance editor of both documentaries and narrative films in Los Angeles. He got his start in the industry as motion designer and animator for commercials and music videos, but his love for film eventually brought him to editing long-form content. He’s completed five documentaries and a feature and loves learning something new about the art of editing every day.
May 27, 2017, 01:12 PM
https://digitalfilms.wordpress.com/2017/05/27/the-...
With tons of broadcast, web, and set-top outlets for dramatic television, there’s a greater opportunity than ever for American audiences to be exposed to excellent productions produced outside of Hollywood or New York. Some of the most interesting series come out of Canada from a handful of production vendors. One such company is Take 5 […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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