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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Off the Tracks - A Documentary About How Final Cut

May 24, 2017, 04:07 AM

http://www.fcp.co/final-cut-pro/articles/1966-off-...

The release of Final Cut Pro X back in July 21st 2011 certainly polarised the post production industry. Now a feature length documentary from Brad Olsen tells the story of how the world's favourite NLE changed overnight and how the industry did or didn't accept the new version. 

Paul Proulx Delivers A Great Return For Investors

May 24, 2017, 04:07 AM

https://roosterpost.wordpress.com/2017/05/24/paul-...

Just because you’re 50-years old, does it mean you’re the same 50-year old as everyone else? This is the question posed in this latest creative edited by Paul Proulx for DDB Canada and Investors Group. In the cut, Paul has lots of fun with the question while setting up the answer. “Unique” was directed by Miguel […]

Paul Proulx Delivers A Great Return For Investors

May 24, 2017, 04:07 AM

https://roosterpost.wordpress.com/2017/05/24/paul-...

Just because you’re 50-years old, does it mean you’re the same 50-year old as everyone else? This is the question posed in this latest creative edited by Paul Proulx for DDB Canada and Investors Group. In the cut, Paul has lots of fun with the question while setting up the answer. “Unique” was directed by Miguel […]

Understanding The Tracking Options In AE

May 24, 2017, 04:07 AM

https://www.rocketstock.com/blog/tips-tracking-opt...

If you’re a even a moderate After Effects user, chances are you’ve used the tracking tools. Now, After Effects has multiple options for motion tracking, like using MochaAE and the built-in 3d Camera Tracker. However, many people still opt for the old school tracker that has been in After Effects for as long as I can remember.

Behind the Title: Edit 1 CD/editor Ken Kresge

May 23, 2017, 04:17 PM

http://postperspective.com/behind-title-edit-1-cde...

NAME: Ken Kresge COMPANY: New York City’s Edit 1 CAN YOU DESCRIBE YOUR COMPANY? We are a production company with a unique talent for previs and content work. WHAT’S YOUR JOB TITLE? VP creative director/editor WHAT DOES THAT ENTAIL? Continue reading → May 23, 2017 The post Behind the Title: Edit 1 CD/editor Ken Kresge appeared first on Randi Altman's postPerspective.

Post producer Tony Rucker joins Dallas-based 3008

May 23, 2017, 04:17 PM

http://postperspective.com/post-producer-tony-ruck...

Post producer Tony Rucker has joined Dallas-based editorial boutique 3008. He brings over a decade of post experience including work on commercial campaigns, branded content, 3D animation and visual effects projects. Before joining 3008, Rucker worked as a post producer at Post Asylum, Element X and Fast Cuts. Continue reading → May 23, 2017 The post Post producer Tony Rucker joins Dallas-based 3008 Editorial appeared first on Randi Altman's postPerspective.

Software Product Updates

May 23, 2017, 04:16 PM

http://www.philiphodgetts.com/2017/05/software-pro...

We’ve recently added new features to SendtoX – named Favorite ranges from Clips in a Sequence – and Lumberjack System where we developed a workflow for backLogger to support RED R3D media. SendtoX We added a new SendToX feature after we had been consulting on the best way to translate some logging from Premiere Pro CC […]

Understanding Color Rendering Index with LEDs

May 23, 2017, 02:35 PM

https://www.premiumbeat.com/blog/color-rendering-i...

The Color Rendering Index can help you get the best LED color reproductions.

G-Tech Evolution Workflow

May 23, 2017, 02:35 PM

http://www.videoguys.com/blog/g-tech-evolution-wor...

G-DOCK ev Expandable Storage Solution with Two Hot-Swappable Hard Drives. The G-DOCK ev with Thunderbolt storage solution is a two bay, swappable drive system with user configurable RAID 0,1 and is designed to optimize the digital content workflow. Part of the Evolution Series, G-DOCK ev ships with two hot-swappable USB 3.0 G-DRIVE ev hard drives Read More The post G-Tech Evolution Workflow appeared first on Videoguys Blog.

Creating sounds of science for Bill Nye: Science G

May 23, 2017, 02:35 PM

http://postperspective.com/creating-sounds-science...

By Jennifer Walden Bill Nye, the science hero of a generation of school children, has expanded his role in the science community over the years. His transformation from TV scientist to CEO of The Planetary Society (the world’s largest non-profit space advocacy group) is the subject of Bill Nye: Science Guy — a documentary directed by David Alvarado and Jason Sussberg. Continue reading → May 23, 2017 The post Creating sounds of science for Bill Nye: Science Guy appeared first on Rand...

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