It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 8, 2018, 04:32 PM
http://www.studiodaily.com/2018/08/oscars-boot-awa...
In a claimed bid to “keep the Oscars … relevant,” the Academy of Motion Picture Arts and Sciences (AMPAS) said it will omit some award categories from the live Oscars broadcast and add one new category — outstanding achievement in popular film — to future award slates. In a letter sent to members last night, […] The post Oscars to Boot Some Awards from Live Broadcast, Add One for Best “Popular Film” appeared first on Studio Daily.
August 8, 2018, 04:31 PM
http://www.animationmagazine.net/events/9-time-osc...
Organizers of the 2018 VIEW Conference (Turin, Italy; Oct. 22-26) have announced that Industrial Light & Magic’s Senior Visual Effects Supervisor and Creative Director Dennis Muren, A. S. C., will be a keynote speaker this year. He joins previously announced luminaries Rob Bredow, Mireille Soria, Hans Zimmer and many others on the speakers’ roster.
August 6, 2018, 09:36 AM
http://www.avidblogs.com/film-editing-the-importan...
The post Film Editing — The Importance of Rhythm and Pace appeared first on Avid Blogs.
August 4, 2018, 08:44 AM
https://www.provideocoalition.com/aotc-spy
Jonathan Schwartz has been editing for the last decade, including as assistant editor on It’s Complicated, and as the editor on Allegiance, Let’s Be Cops and Mike and Dave Need Wedding Dates. He also edited two seasons of the hit comedy, Modern Family.
August 2, 2018, 12:36 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“I have to return some videotapes.” — Patrick Bateman ...
August 2, 2018, 06:32 AM
https://www.screeneditors.com.au/editing-mastercla...
MIFF Accelerator Lab Masterclass Editing: Julie-Anne De Ruvo & Nick Meyers ASE Once again ASE is teaming with Melbourne International Film Festival Accelerator Lab to present a 70-minute masterclass on editing. This year the Australian film "Undertow" is the focus and the two Editors Julie-Anne De Ruvo and Nick Meyers ASE will be speaking about […]
August 2, 2018, 06:32 AM
http://www.fcp.co/final-cut-pro/articles/2101-edit...
So just how efficient can Final Cut Pro X be in feature film post production? Find out from the story of the post production process of Gabriel, a new film from Portuguese Director Nuno Bernardo.
August 1, 2018, 06:50 AM
https://www.provideocoalition.com/building-a-film-...
“Why pay for training when you can get it for free on YouTube?” is a common question in just about any discipline these days. It’s not a bad question either—with 7.5 billion people living on the planet, the collective consciousness is bound to kick up quality training once in a while. The real questions to ask? Is there enough quality training of the film school ilk on YouTube and if so, how do you actually find it?
August 1, 2018, 06:50 AM
https://www.provideocoalition.com/aotc-mi-timeline
In the Art of the Cut interview with Eddie Hamilton, ACE, there was a screenshot of a complex Avid timeline. To best understand this timeline I’ve included it as a separate article to the interview. The timeline is a testament to the fastidious organizational skills of Hamilton and his world-class editorial team.
July 31, 2018, 12:12 PM
https://postperspective.com/edit-house-ps260-launc...
Creative editorial house PS260 has launched its own creative content studio. We Know the Future offers in-house production capabilities and advertising solutions across all screens. These offerings will be available in NYC and LA. JJ Lask, PS260’s co-founder, partner and editor, is leading the new content studio from the company’s LA office, Continue reading → July 31, 2018 The post Edit house PS260 launches content studio, We Know the Future appeared first on Randi Altman's postPe...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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