It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 24, 2017, 08:34 PM
http://www.redsharknews.com/vr_and_ar/item/4304-is...
If you were at CES this month, you’d have seen that, from headsets to plank style interfaces to let you fly inside a game, interest in virtual reality is exploding. And it’s not so much a case of if but when Apple decides to join in. By George Shaw. AppleVRARApple VRCupertino
January 24, 2017, 07:42 AM
http://fxrant.blogspot.ca/2017/01/the-death-star-a...
Star Wars fans pride themselves on knowing each and every detail from the original trilogy. But there’s one little detail from “Star Wars” (1977) that might surprise a lot of fans, and the reality of this detail is different than our collective head canon.
January 24, 2017, 07:42 AM
http://www.cgmeetup.net/home/houdini-and-the-rise-...
Andreas Giesen and Simon Ohler talk to SideFX about Houdini and the RISE Visual Effects Studio pipeline – including discussion about their recent work on The Man From UNCLE and Captain America Civil War.
January 24, 2017, 07:42 AM
http://www.artofvfx.com/oscars-2017-the-vfx-nomine...
The nominations for the Best Visual Effects Award for the 89th Academy Awards have just been announced...
January 24, 2017, 07:41 AM
https://www.fxguide.com/quicktakes/oscars-nominees...
The Academy of Motion Picture Arts and Sciences today announced the films nominated for an Oscar® for the 89th Academy Awards®. In a departure from the past the nominations were announced via a live stream without the press in attendance.
January 23, 2017, 02:40 PM
http://postperspective.com/behind-title-outpostvfx...
NAME: Duncan McWilliam COMPANY: UK-based OutpostVFX (@outpostvfx) CAN YOU DESCRIBE YOUR COMPANY? We are a high-end visual effects company with a diverse portfolio across film, broadcast, advertising and VR. Each discipline compliments the other, Continue reading → January 23, 2017 The post Behind the Title: OutpostVFX Founder/CEO Duncan McWilliam appeared first on Randi Altman's postPerspective.
January 21, 2017, 10:38 AM
http://www.cgmeetup.net/home/hunters-syfy-vfx-brea...
Resin – HUNTERS comes from executive producers Gale Anne Hurd (The Walking Dead, The Terminator trilogy) and Natalie Chaidez (12 Monkeys, Heroes). It is inspired by Whitley Strieber’s best-selling novel, Alien Hunter. The series first aired on the SyFy network in the US in 2016.
January 20, 2017, 02:13 PM
http://www.studiodaily.com/2017/01/narrating-with-...
Motion-design artist Timo Fecher is releasing a free 200-page ebook, Motion Graphics Design Academy: The Basics, covering principles of motion graphic design. All he asks in return is that you sign up for his free email newsletter; the book is coming … more » The post Narrating with Colors in Motion Graphics appeared first on Studio Daily.
January 20, 2017, 10:14 AM
http://www.artofvfx.com/assassins-creed-christian-...
In 2015, Christian Irles explained in detail about the work of MPC on INTO THE WOODS. He then took care of the visual effects of PAN and MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN. He joined Cinesite in 2016 and worked on ASSASSIN’S CREED.
January 18, 2017, 10:10 AM
http://www.redsharknews.com/vr_and_ar/item/4293-vi...
Virtual Reality is perhaps the most demanding graphical task for a computer; much more so than 4K and 8K video. Video is essentially a rapid succession of flat images, but Virtual Reality requires those images to be based on a 3D world that is generated in real time. VR calls for high frame rates and even higher resolutions. All of this has to happen with no discernible lag. Virtual RealityVRDell workstationdellGPUGPUs
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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