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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Rogue One Interview: Resurrect Old Characters

January 18, 2017, 10:09 AM

http://www.slashfilm.com/rogue-one-vfx-interview/

Last week I had the opportunity to jump on the phone with the visual effects team behind Rogue One: A Star Wars Story. After the jump, you can read a transcript of my full interview with Rogue One executive producer / visual effects supervisor / writer John Knoll, animation supervisor Hal Hickel, and special effects supervisor Neil Corbould.

SULLY: VFX Breakdown by MPC

January 18, 2017, 10:09 AM

http://www.artofvfx.com/sully-vfx-breakdown-mpc/

Really nice work by MPC on the latest movie of Clint Eastwood, SULLY...

ROGUE ONE: Margaux Durand-Rival - Previs/Postvis

January 18, 2017, 10:09 AM

http://www.artofvfx.com/rogue-one-a-star-wars-stor...

Margaux Durand-Rival explained to us the work of The Third Floor on EDGE OF TOMORROW in 2014. She then worked on numerous projects such as DRACULA UNTOLD, PADDINGTON, EXODUS: GODS AND KINGS or MISSION IMPOSSIBLE: ROGUE NATION.

FANTASTIC BEASTS: VFX Breakdown

January 18, 2017, 06:19 AM

http://www.artofvfx.com/fantastic-beasts-and-where...

Image Engine have just published a VFX Breakdown and a Showreel about their work on FANTASTIC BEASTS AND WHERE TO FIND THEM...

TABOO: Main title by Method Studios

January 18, 2017, 06:19 AM

http://www.artofvfx.com/taboo-main-title-by-method...

Nice main title created by Method Studios for the TV show, TABOO...

Sully Vfx Breakdown

January 18, 2017, 06:19 AM

http://www.cgmeetup.net/home/sully-vfx-breakdown/

MPC’s team worked with Director Clint Eastwood and Production VFX Supervisor Michael Owens as lead studio behind the movie’s photoreal effects.

Kodak's Film Resurrection May Include Kodachrome

January 18, 2017, 06:19 AM

http://www.doddlenews.com/news-room/kodaks-film-re...

At CES, Kodak announced it was bringing back Ektachrome film stock due to popular demand. And while it was good, nobody ever wrote a hit song about Ektachrome. So why not bring back Kodachrome, too? Well, Kodak is thinking about it. And yes, there is a song about Kodachrome by Paul Simon...

A MONSTER CALLS: Ferran Domenech

January 16, 2017, 10:21 AM

http://www.artofvfx.com/a-monster-calls-ferran-dom...

In 2014, Ferran Domenech told us about the animation work of MPC on GODZILLA. He then worked on NIGHT AT THE MUSEUM: SECRET OF THE TOMB, THE LEGEND OF TARZAN and FANTASTIC BEASTS AND WHERE TO FIND THEM. He talks to us today about his work as a VFX Supervisor.

Watch FullFrame FX’s Breakdown for a Digital Dan

January 13, 2017, 02:08 PM

http://lesterbanks.com/2017/01/fullframe-breakdown...

FullFrame is a Rio de Janeiro boutique specializing in VFX. Watch their breakdowns they have created that shows off a digital dancing cow. The breakdown shows how the cow was created with bone, muscle, fat The Post Watch FullFrame FX’s Breakdown for a Digital Dancing Cow originally appeared and published on %%BLOGLINK%,by lesterbanks

Rising Sun Pictures nominated for VES Award

January 13, 2017, 07:43 AM

http://www.provideocoalition.com/rising-sun-pictur...

The nomination for the VES Awards comes for the studio’s work on the Quicksilver Extraction sequence from the 20th Century Fox film X-Men: Apocalypse. Rising Sun Pictures has been nominated for Outstanding Compositing in a Photoreal Feature in the Visual Effects Society’s 15th Annual VES Awards. In the Extraction sequence, Quicksilver (Evan Peters) uses his The post Rising Sun Pictures nominated for VES Award appeared first on ProVideo Coalition.

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