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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Why You Want to Shoot with an External Recorder/Mo

July 27, 2017, 04:17 PM

http://www.videoguys.com/blog/want-shoot-external-...

Here’s an in-depth article on the ins and outs of pairing a monitor/recorder – like these from Atomos – with your DSLR camera. Beyond the obvious benefit of a larger preview of your footage, a field monitor and recorder “can’t improve the level of detail that your camera initially captures, they leverage the fact that Read More The post Why You Want to Shoot with an External Recorder/Monitor appeared first on Videoguys Blog.

Dunkirk and the Very Loud Sounds of War

July 27, 2017, 12:55 PM

http://www.indiewire.com/2017/07/dunkirk-how-chris...

To help convey the “visceral realism” of Christopher Nolan’s “Dunkirk,” the director needed an intense soundscape for the legendary evacuation of more than 300,000 British and Allied troops under German bombardment.

The Power of Sound: Using the Shepard Tone In Film

July 27, 2017, 09:11 AM

https://www.premiumbeat.com/blog/shepard-tone-soun...

The Shepard Tone creates the illusion of continuously swelling sound, which can build tension or suspense. Find out how it works in this breakdown.

The sounds of Spider-Man: Homecoming

July 26, 2017, 05:04 PM

http://postperspective.com/sounds-spider-man-homec...

By Jennifer Walden Columbia Pictures and Marvel Studios’ Spider-Man: Homecoming, directed by Jon Watts, casts Tom Holland as Spider-Man, a role he first played in 2016 for Marvel Studios’ Captain America: Civil War (directed by Joe and Anthony Russo). Homecoming reprises a few key character roles, Continue reading → July 26, 2017 The post The sounds of Spider-Man: Homecoming appeared first on Randi Altman's postPerspective.

PluralSight to Expand VR-Related Training as SIGGR

July 26, 2017, 12:19 PM

http://www.studiodaily.com/2017/07/pluralsight-exp...

At SIGGRAPH next week, online training company Pluralsight plans to announce new partnerships that will help it expand its VR offerings. The move comes in response to what the company said is fast-increasing demand for materials focused on creating VR content using the Unity game engine and other tools. Pluralsight VP of Creative, Design and Engineering Andy […] The post PluralSight to Expand VR-Related Training as SIGGRAPH Opens appeared first on Studio Daily.

Meet the new RØDE VideoMic Pro+

July 25, 2017, 04:33 AM

http://www.dvinfo.net/news/meet-the-new-rode-video...

Tuesday July 25, 2017 — Pro-audio brand RØDE Microphones is announcing a brand new addition to its best-in market on-camera category – the VideoMic Pro+. Announced at RØDEShow 2017, Freedman Electronics’ 50th anniversary celebration, the VideoMic Pro+ is set to prove that RØDE Microphones has yet again upped the game for the prosumer filmmaker. Still [...]

Meet the new RØDE VideoMic Pro+

July 25, 2017, 04:32 AM

http://www.dvinfo.net/news/meet-the-new-rode-video...

Tuesday July 25, 2017 — Pro-audio brand RØDE Microphones is announcing a brand new addition to its best-in market on-camera category – the VideoMic Pro+. Announced at RØDEShow 2017, Freedman Electronics’ 50th anniversary celebration, the VideoMic Pro+ is set to prove that RØDE Microphones has yet again upped the game for the prosumer filmmaker.

Cinema Audio Society Sets Date for 2018 Awards

July 24, 2017, 12:18 PM

http://www.hollywoodreporter.com/behind-screen/cin...

The Cinema Audio Society has set the date and timeline for the 54th Annual CAS Awards, which recognizes outstanding sound mixing in film and television. The ceremony will be held Feb. 24 at the Omni Los Angeles Hotel.

Sound FX Streaming Services Roundup By Creative Fi

July 22, 2017, 04:43 AM

http://designingsound.org/2017/07/sound-fx-streami...

CreativeFieldRecording has published a comprehensive overview about available audio streaming platforms & alternatives for soundcloud with a focus on their features in regards to non music content. You can read the full article here.

Mark Mangini on why you should record at high samp

July 20, 2017, 05:50 PM

http://www.prosoundeffects.com/blog/mark-mangini-o...

“As a sound ‘designer’ for motion pictures, I live and die by the quality of my library.” With a film sound career spanning 36 years, 100+ film credits, and a dozen awards and nominations, Mark Mangini’s sonic prowess is highly regarded in the world of audio post. You can find ... The post Mark Mangini on why you should record at high sample rates appeared first on Pro Sound Effects Library.

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