It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 18, 2017, 07:30 PM
http://postperspective.com/red-giant-magic-bullet-...
By Brady Betzel Color grading is an art unto itself. A dedicated colorist can make your footage look so good, your response upon seeing it will likely be, “I had no idea it could look like this.” Unfortunately, as an editor you don’t have the opportunity to spend 10 hours a day honing the craft of color correction. Continue reading → April 18, 2017 The post Red Giant Magic Bullet Suite: Looks 4 and Colorist IV appeared first on Randi Altman's postPerspective.
April 18, 2017, 07:29 PM
http://www.studiodaily.com/2017/04/artificial-inte...
Last September, when the 20th Century Fox sci-fi thriller Morgan premiered, artificial intelligence (AI) took center stage for the first time not as a plot point but a tool. The film studio revealed that it had used IBM’s Watson — a supercomputer endowed with AI capabilities — to make the movie’s trailer. IBM research scientists “taught” Watson […] The post Artificial Intelligence Comes to Hollywood appeared first on Studio Daily.
April 18, 2017, 09:34 AM
https://www.premiumbeat.com/blog/record-indie-film...
Learn how to properly record audio on set with a traditional boom mic setup.
April 18, 2017, 09:34 AM
https://www.youtube.com/watch?v=dtvxUegONyU
In his third book—The Storyteller's Dilemma—Avid Chairman and CEO Louis Hernandez Jr. shares his perspectives on how technology is changing the way we share experiences in the connected digital age, and the economic realities of an evolving media landscape. The Storyteller's Dilemma, urges artists, producers, innovators and consumers to embrace this revolution and build an entertaining, informative, creative and lucrative future. LOOK INSIDE AT http://avid.com/storytellers-dilemma
April 18, 2017, 09:34 AM
http://www.fcp.co/final-cut-pro/articles/1953-xint...
Everybody hates boring tutorials, sometimes the best way to teach is to keep everything concise and to the point. Bill Davis' refreshed XinTwo tutorial website is nearly up to its 100th 'micro' FCPX video lesson.
April 18, 2017, 09:33 AM
http://lesterbanks.com/2017/04/modeling-blast-door...
Looking to brush up on some hard surface modeling skills in C4D? Wolfgang Rode, also known as “contrafibbularities” recently posted a series that looks at building the classic science fiction stand-by — Modeling blast doors, The Post Hard Surface Modeling Blast Doors in Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks
April 18, 2017, 09:33 AM
https://journaldunemonteuse.wordpress.com/2017/04/...
Ce moment, cette journée, où le film apparaît. Où tout se met en place, trouve sa place, s’organise, une symphonie. Enfin, ça ressemble à un film. Je l’ai eu !Classé dans:Métier monteuse
April 18, 2017, 09:33 AM
http://alex4d.com/notes/item/apple-has-updated-the...
In April 2017 Apple updated their white paper on their ProRes codec family. Here are the changes. An addition about recent changes in Final Cut Pro X: A variety of cameras can now capture and record a wider gamut of color values when working in log or raw formats. You can preserve this wider color gamut by recording with the ProRes LOG setting on certain cameras such as the ARRI ALEXA or transcoding from the RED® camera’s REDCODE® RAW format. Final Cut Pro 10.3 or later can proce...
April 18, 2017, 09:33 AM
http://saeditores.org/Novedades/La-SAE-junto-a-la-...
Durante el 19º BAFICI, que se llevará a cabo entre el 19 y el 30 de abril de 2017 en Buenos Aires, la SAE junto a la EDA (Asociación Argentina de Editores Audiovisuales) entregarán el Premio al Mejor Montaje de Película en Competencia Oficial Argentina.
April 18, 2017, 09:33 AM
http://blogs.adobe.com/creative/introducing-the-ma...
To be the best, you have to be judged by the best. That’s why we’ve enlisted the help of a star-studded panel of judges for our Make the Cut video editing contest. Not up-to-speed on Make the Cut? Read here about the groundbreaking contest with Imagine Dragons to celebrate the 25th anniversary of Adobe Premiere Pro. If you’ve entered the contest, chances are you’re patiently awaiting the final results. In the meantime, learn a little bit more about the judges who will be making the ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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