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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Subscription vs. Owning your NLE Software

June 8, 2015, 12:24 PM

http://www.videoguys.com/blog/video-editing/subscr...

The folks over at ExtremeTech have published an interesting article that goes into some of the issues facing Avid & Adobe (as well as Cakewalk) users.  The world is moving towards a Software as a Service (SaaS) model. While this may not work for everyone, it looks like it works very well for the software Read More The post Subscription vs. Owning your NLE Software appeared first on Videoguys Blog.

Miguel Pérez (SAE) obtuvo el Premio a la Docencia

June 8, 2015, 09:43 AM

http://saeditores.org/Novedades/Miguel-Perez-SAE-o...

Miguel Pérez (SAE) fue distinguido con el Premio a la Docencia que otorga la Asociación Internacional de Escuelas de Cine y Televisión, CILECT (Centre International de Liaison des Écoles de Cinéma et de Télévision) como una forma de reconocer la excelencia en la pedagogía en cine y televisión...

NewTek TriCaster powers This Week in Tech – TWiT

June 8, 2015, 09:42 AM

http://www.videoguys.com/blog/streaming/newtek-tri...

In this white paper technology guru and online tech personality Leo LaPorte talks about how he has utilized the NewTek TriCaster to create broadcast quality content on a lean budget. NewTek To keep up with the growth of the TWiT Network, the whole operation moved in 2011 to a custom-designed space in Petaluma, CA called Read More The post NewTek TriCaster powers This Week in Tech – TWiT TV appeared first on Videoguys Blog.

Bill Pankow, ACE and Jerry Greenberg, ACE discuss

June 8, 2015, 09:42 AM

http://manhattaneditworkshop.blogspot.com/2015/06/...

Sight, Sound & Story - Bill Pankow, ACE and Jerry Greenberg, ACE on "Dressed to Kill." For more information on "Sight, Sound & Story" go to www.SightSoundandStory.com.

Comienza el 10 Festival Tucumán Cine Gerardo Vall

June 8, 2015, 04:56 AM

http://www.edaeditores.org/comienza-el-10-festival...

El Festival Tucumán Cine Gerardo Vallejo, organizado por el Ente Cultural, se realizará del 8 al 20 de Junio de 2015, e incluirá tanto secciones competitivas como no competitivas. En esta edición especial por el décimo aniversario del festival, EDA participará otorgando un premio a “Mejor Montaje” de película argentina en competencia. Los editores nominados a la […]

Building a Free FCP X Color Correction Filter

June 7, 2015, 01:12 PM

https://digitalfilms.wordpress.com/2015/06/07/buil...

One nice aspect of the symbiotic relationship between Final Cut Pro X and Motion is that Motion can be used to create effects, transitions, titles and generators for use in FCP X. These are Motion Templates and they form the basis for the creation of nearly all third-party effects filters, both paid and free. This […]

Editor Jonathan Oppenheim Discusses his Concept of

June 7, 2015, 01:12 PM

http://manhattaneditworkshop.blogspot.com/2015/06/...

Manhattan Edit Workshop presents: "Sight, Sound & Story" - Jonathan Oppenheim on The Oath: Part I. For more information on "Sight, Sound & Story" go to www.SightSoundandStory.com.

When was film compression technology introduced? T

June 7, 2015, 07:15 AM

http://www.redsharknews.com/business/item/2626-whe...

Phil Rhodes takes a look at some of the innovative technology that lay behind Pathé’s 9.5mm film format and the Pathé Baby projector, the Netflix of the 1920s. HistoryPatheFilmSuper 8Kodak

Kodak Celebrates the 50th Birthday of Super 8 Form

June 7, 2015, 07:15 AM

http://cinescopophilia.com/kodak-celebrates-the-50...

“Super 8 has stood the test of time,” said Andrew Evenski, president and general manager of Kodak’s Entertainment & Commercial Films. “It is the first love and experience for so many filmmakers, from first time users to Oscar® winners. Super8 has launched careers, captured life’s most important moments, and preserved art for five decades. These are the same reasons Super 8mm endures today, and will remain a strong format of choice in the future.”

What Thunderbolt 3 Means for Future Standards

June 6, 2015, 05:08 AM

http://www.digitaltrends.com/computing/what-thunde...

Since the mid 1990s, the Universal Serial Bus has held its own as the industry standard for cable and connection interfaces. The standard is so embedded in our technology that it’s been embraced by a long list of desktops, laptops, tablets, game consoles, and countless other electronic devices to some degree. It’s been ingrained in our culture to the point that most of us would probably assume its irreplaceability.

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