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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

What you see is what you guess

June 20, 2021, 11:28 AM

http://www.davidbordwell.net/blog/2021/06/20/what-...

The Castle Island Case (1937). DB here: In the 1920s and 1930s, stories of mystery and detection became hugely popular in Anglophone countries. Britain’s “Golden Age” of whodunits, launched by Agatha Christie and Dorothy Sayers, was rivaled by the emergence of American hardboiled detection, personified by Dashiell Hammett and other writers for […]

Rocket Lasso revolutionizes spline animation in Cinema 4D

June 17, 2021, 08:59 AM

https://www.provideocoalition.com/rocket-lasso-rev...

Unleash the power of splines with Ricochet, the newest tool from Rocket Lasso for Cinema 4D. This plugin behaves like a particle system for splines, by automatically animating splines in Cinema 4D. Rocket Lasso is the brainchild of Chris Schmidt who for two decades has been providing workflow enhancing plugins, tutorials and live streamed knowledge [...]Read More...

Framestores VFX is the Zombie Cats Meow in

June 16, 2021, 10:57 AM

https://www.awn.com/vfxworld/framestores-vfx-zombi...

Leading visual effects studio creates the vicious undead tiger, ‘Valentine,’ and loads of gory zombie mayhem, in Zack Snyder and Netflix’s post-apocalyptic heist adventure.

Emmys 2021 Ted Lassos singlecam editing capture

June 16, 2021, 10:56 AM

https://www.avclub.com/ted-lasso-s-seamless-single...

Melissa McCoy and A.J. Catoline deserve an Emmy nod for their editing on the Apple TV+ comedy

No More Heroes Anymore

June 16, 2021, 10:56 AM

https://cuttingroomtales.wordpress.com/2021/06/15/...

The Hero’s Journey: mythic or myth? ☛ Toby Litt recently wrote a fascinating article in which he argued that writing screenplays about climate issues has become difficult because movie screenwriters, and indeed audiences, have all got too use to the Hero’s Journey model of storytelling. His logic goes that tackling climate change requires collective action, […]

Ripple Effect, a short film to test Virtual Production tech

June 16, 2021, 10:56 AM

https://www.provideocoalition.com/ripple-effect-a-...

Virtual production technologies and remote workflow solutions used in Ripple Effect are the key subject for PNYA’s Post Break next edition, a free video conference slated for Thursday, June 17th at 4:00pm EDT. The June 10th edition of Post Break, the free webinar series from Post New York Alliance (PNYA), featured an in-depth interview with [...]Read More...

Editor James K. Crouch on Editing a Feature Film During COVID

June 16, 2021, 10:55 AM

https://www.premiumbeat.com/blog/editor-james-k-cr...

We chat with editor James K. Crouch about what he learned from editing the Tribecca feature film 12 Mighty Orphans during COVID-19 lockdowns. One of the highlights …

Crossing the 180 with Adobe Max Master Valentina Vee

June 10, 2021, 08:24 AM

https://www.provideocoalition.com/crossing-the-180...

Today we have the first installment of Crossing the 180, an Art of the Frame interview series in the vein of “Fresh Air.” As a veteran podcaster, filmmaker, author, and marketer, I’ve had the opportunity to interview hundreds of visual artists over the past 14 years, using my own personal and professional e experiences to [...]Read More...

After Effects & Performance. Part 18: Multi-Frame Rendering is here

June 10, 2021, 08:24 AM

https://www.provideocoalition.com/after-effects-pe...

The most fitting end possible for this series on “After Effects and Performance” is an interview with Sean Jenkin, who heads up the “Performance” team for After Effects, at Adobe’s HQ in Seattle.  Sean, a Senior Engineering Manager for Adobe, sat down for a comprehensive interview about all things “performance”, and it was so comprehensive [...]Read More...

INTERVIEW: Jeff Boyette, editor of “Amy Tan: Unintended Memoir”

June 10, 2021, 08:23 AM

https://www.provideocoalition.com/interview-jeff-b...

Writer Amy Tan’s hit debut novel, “The Joy Luck Club” (1989), catapulted her to commercial and critical success, spending over 40 weeks on The New York Times Best Seller list. With the 1993 blockbuster film adaption that followed, which was selected for the National Film Registry in 2020, as well as additional bestselling novels, librettos, short stories and memoirs, Tan firmly established herself as one of the most prominent [...]Read More...

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