It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 4, 2018, 09:25 AM
http://www.artofvfx.com/deadpool-2-mike-brazelton-...
Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.
June 4, 2018, 04:52 AM
http://www.fcp.co/final-cut-pro/news/2083-luca-vis...
You might be familiar with Luca and Luca Visual Fx plugins. But did you know he also composes music and sound effects? He's just released a Mystery & Suspense sound library and has very kindly published a coupon code for 20% off for FCP.co readers.
May 31, 2018, 08:56 AM
http://www.artofvfx.com/deadpool-2-stephane-naze-v...
At the beginning of the year, Stephane Nazé explained the work of Framestore on DOWNSIZING. He talks to us today about DEADPOOL 2.
May 31, 2018, 05:41 AM
http://www.broadcastbeat.com/vfx-legion-completes-...
The season finale of CBS’s political drama ‘Madam Secretary’ aired last week, closing with Secretary of State Elizabeth McCord (Téa Leoni) revealing her plans to run for president to her husband Henry (Tim Daly). VFX Legion followed up the cliffhanger with the release of a breakdown reel that takes a behind-the-scenes look at the making ...
May 30, 2018, 04:42 PM
http://postperspective.com/combining-3d-360-vr-cab...
Whether you are using 360 VR or 3D, both allow audiences to feel in on the action and emotion of a film narrative or performance, but combine the two together and you can create a highly immersive experience that brings the audience directly into the “reality” of the scenes. This is exactly what film producers and directors Fred Beahm and Bogdan Darev have done in The Cabiri: Anubis, Continue reading → May 30, 2018 The post Combining 3D and 360 VR for The Cabiri: Anubis film appeare...
May 30, 2018, 06:23 AM
https://vfxserbia.com/2018/05/30/josh-parks-life-a...
Josh Parks is an experiences compositing artist working from DNEG to ILM and many other studios. He has shared his story and gave a few great advice how to progress in the VFX industry. Lets hear his story.
May 28, 2018, 09:44 AM
http://www.artofvfx.com/solo-a-star-wars-story-ui-...
Blind LTD have released many pictures featuring their UI work on SOLO – A STAR WARS STORY (click on the picture below to watch them)...
May 28, 2018, 04:24 AM
https://vfxblog.com/viewpaint/
Most people will have heard about the Industrial Light & Magic animation test that convinced Steven Spielberg to adopt computer graphics for the full-motion dinosaurs in Jurassic Park. It was a seminal moment in visual effects history. But along the way, ILM made several other stunning tech breakthroughs for the 1993 film.
May 27, 2018, 04:34 PM
https://vfxblog.com/2018/05/27/james-cameron-3d-av...
I was lucky enough to score a ticket last night to see James Cameron speak in Sydney. It was at a Vivid event, a festival here famous for lighting up city landmarks and for presentations on culture, new ideas and art and technology.
May 27, 2018, 09:29 AM
https://vfxserbia.com/2018/05/27/andrewbrassington...
Following the CGA2017 and in preparation for the CGA2018, Crater Training Center was hosting the two days CGA Warm-up event on 11th and 12th of May with 9 presenters and 14 talks in Belgrade and Novi Sad, including the screening of a SF movie Ederlezi Rising
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.