It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 26, 2017, 05:36 AM
http://designingsound.org/2017/03/sunday-sound-tho...
I wasn’t really sure what I was gonna write about for today’s Sunday Sound Thought, but the past two weeks I’ve been thinking a lot about self confidence in my work & being a “professional”. The topic is complex but I’m gonna try to summarize a couple of my thoughts. This might turn into a […]
March 26, 2017, 05:36 AM
https://journaldunemonteuse.wordpress.com/2017/03/...
Marie-Estelle travaille avec moi. Et sans Marie-Estelle je serai bien en peine. Voilà tout ce que je peux faire grâce à elle : Arriver le matin en salle de montage en étant sereine. Me concentrer sur mes séquences, tout mon … Lire la suite →
March 25, 2017, 11:55 AM
https://digitalfilms.wordpress.com/2017/03/25/the-...
While many of us may be good directors, photographers, or editors, it’s not a given that we are also good graphic designers. Most editors certainly understand the mechanics and techniques of developing designs and visual effects composites, but that doesn’t by default include a tasteful sense of design. Combining just the right typeface with the […]
March 24, 2017, 04:48 PM
http://designingsound.org/2017/03/the-sound-design...
Sound On Sound just released a in depth behind the scenes video of the Sound Design of Star Wars Rogue One. We had the great pleasure of visiting the iconic Skywalker Sound in Northern California to talk to Supervising Sound Editors Christopher Scarabosio and Matthew Wood about world creation, making sci-fi weapons sound realistic, and how some unexpected […]
March 24, 2017, 04:48 PM
http://www.cartoonbrew.com/feature-film/character-...
In past outings, the famous ape has been achieved with stop motion, full and partial scale animatronics, and via motion capture and cg. But in Jordan Vogt-Roberts’ new Kong: Skull Island, Kong is a 100-foot-tall keyframed cg creature with very specific design features.
March 24, 2017, 02:11 PM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: Dolby Supports Adobe XMP • A.I. Music Composing Panel for Premiere Pro • Epic Proxy Workflow Blog Post • Tips for Titles in Premiere Pro
#adobe#premiere pro#tutorials#tips#creative cloudMarch 24, 2017, 12:15 PM
http://www.fcp.co/final-cut-pro/articles/1946-fron...
Today, March 24th is the theatrical release of Bokeh, an independent feature about a young couple on holiday in Iceland who wake up one morning to find that everybody else has disappeared. The co-writer/director and editor Geoffrey Orthwein takes us through the post production of the movie on Final Cut Pro X.
March 24, 2017, 12:15 PM
http://alex4d.com/notes/item/thunderbolt-3-hit
Thunderbolt 3's recent success is good news for high-end post production. When Apple replaced their (then) high-speed Firewire 800 connections with Thunderbolt ports in 2011, pro users were happy with the many improvements. Sadly USB 3 turned out to be 'good enough' for the vast proportion of PC users. That prevented a competitive market for Thunderbolt devices. That meant external drives and capture card prices didn't come down significantly The situation didn't improve with Thunde...
March 24, 2017, 12:14 PM
http://boscpug.org/blackmagic-design-announces-exc...
The SmartView 4K is the world’s first full resolution Ultra HD broadcast monitor with 12G-SDI inputs and has now been reduced in price to only $995, while the high definition SmartView HD is now only $795.
March 24, 2017, 12:14 PM
http://www.videoguys.com/blog/avid-qa-state-art-4k...
Avid’s Director of pro video product and segment marketing, Matt Feury answers some great questions on how Avid’s products tackle 4K workflow: What’s the typical workflow for 4K? Are people using proxies or editing at full resolution? Most people are working in HD in some kind of proxy, although our application and our storage — Read More The post Avid Q&A on State-of-the-Art 4K Workflow appeared first on Videoguys Blog.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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