It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 21, 2017, 12:32 PM
http://www.studiodaily.com/2017/03/adobe-premiere-...
Learn about ways to share timelines between Premiere Pro and Media Composer using AAF, including relinking to media as necessary, in this tutorial from Kevin P. McAuliffe's Let's Edit MC. The post Adobe Premiere Pro Workflow for Avid Media Composer appeared first on Studio Daily.
March 21, 2017, 09:46 AM
http://theangryvideoguy.com/index.php/2017/03/21/c...
Now whether avoiding basic Python is good or bad in the long term is up to you, but smartShelves allows you to create custom shelves and assign hotkeys for your nodes/gizmos. It makes it into a drag & drop process any dummy can do.
#nodes#nuke#gizmos#pythonMarch 21, 2017, 09:36 AM
http://www.studiodaily.com/2017/03/after-effects-t...
Two workhorse applications star in this Eyedesyn tutorial about compositing 3D renders from Maxon Cinema 4D into footage in Adobe After Effects. Topics include setting up the 3D object in C4D, introducing some flaws to make the 3D object blend … more » The post After Effects Tips for Compositing Cinema 4D Renders into Footage appeared first on Studio Daily.
March 21, 2017, 09:36 AM
http://edaeditores.org/mi-experiencia-en-la-escuel...
Por Sofía Mellino (EDA) [Este artículo se encuentra disponible también en inglés. Read the english version here] Barrie Vince es un montajista británico nacido en 1933 en Londres, Reino Unido. Editor de más de treinta y siete películas y documentales tanto en formato fílmico como digital, ganador de un BAFTA a mejor edición en televisión por […]
March 21, 2017, 09:35 AM
https://fxfactory.com/blog/effects-2/titlemations-...
Enhance your videos and capture your viewer’s attention.
March 21, 2017, 08:50 AM
http://theangryvideoguy.com/index.php/2017/03/21/l...
Paul Trani covers his top 30 tips in 30 minutes @ Adobe. Covers a wide range from very basic stuff you should know already to some more helpful tool tips you may not.
#adobe#tutorials#tutorial#adobe illustratorMarch 21, 2017, 04:34 AM
https://www.premiumbeat.com/blog/faster-editing-ti...
DaVinci Resolve 12.5 is a non-linear editing powerhouse. Streamline your workflow with these quick tips.
March 21, 2017, 04:34 AM
http://www.redsharknews.com/technology/item/4443-h...
If you are among the seemingly growing numbers of people looking beyond Cupertino for their next machine, Phil Rhodes looks at some Windows alternatives and how you can get that MacBook performance for less money. Macbook ProAlienwareLenovoLaptopsCupertinoMacbook
March 21, 2017, 04:33 AM
http://editorunderconstruction.blogspot.com/2017/0...
Lettre d’un cinéaste à sa fille est un film artisanal et libre, un film personnel et ludique, un film tissé de mille histoires et cousu de différentes textures, un livre d’images où un cinéaste prend position par rapport au cinéma et donne à voir les visages et les histoires qu’il veut partager. Montage: Rudi MAERTEN
March 21, 2017, 04:33 AM
http://blogs.adobe.com/conversations/2017/03/adobe...
Think of your favorite brands… Why do you like them? They know you as soon as you reach out, and it doesn’t matter if you called, browsed the site on your phone or opened an email on your laptop. They understand when you are just looking around and when you are ready to buy. They make it easy. And, when things go wrong, they are quick to fix them. This brand gets you and then gets out of your way—they are what we call an “Experience Business.” It sounds simple on the surface, but ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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