It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 30, 2015, 07:48 AM
http://www.creativitypost.com/business/the_art_of_...
To manage for disruption we need to realize that it is the mastery of one model that hinders our adoption of another; our drive for competence that renders us inept.
April 30, 2015, 03:42 AM
http://www.laweekly.com/news/how-hollywood-keeps-o...
In 2005, Diana Ossana was in the green room at the Venice Film Festival, elated. Brokeback Mountain, the film she'd shepherded into being after reading Annie Proulx's short story in The New Yorker eight years earlier, had just won the Golden Lion, top prize at the festival.
April 30, 2015, 03:41 AM
http://www.toolfarm.com/blog/entry/compatibility_f...
Final Cut Pro was updated to 10.2 last week and there have been a few bumps in the road as far as compatibility and software breakage. Here’s what we’ve learned, compiled for you in one handy list.
April 29, 2015, 04:14 PM
http://www.provideocoalition.com/missed-nab-2015-w...
Under the banner of “Creativity just got a lot more colorful,” Adobe revealed what’s coming next to the Creative Cloud video tools, showcasing the next versions at NAB 2015.
April 29, 2015, 04:14 PM
http://www.provideocoalition.com/editorskeys-backl...
Many editors want customized "Editing" keyboards for their edit suites. Why not take it to the next level with a nice backlit one from the team at EditorsKeys!
April 29, 2015, 12:26 PM
http://blogs.adobe.com/creative/thunder-birds-are-...
Growing up, I was a huge fan of the Thunderbirds. Combining marionette puppetry and scale-model special effects, the show is still hailed as one of the best examples of supermarionation ever seen on screen. ITV Studios and
April 29, 2015, 12:25 PM
http://www.hitfix.com/the-fien-print/why-1974-was-...
I was one of the first to select years for this particular exercise, which probably allowed me to select the correct year. The answer is, of course, 1974 and all other answers are wrong.
April 29, 2015, 09:31 AM
http://blogs.adobe.com/creativecloud/missed-nab-20...
New color, collaboration, mobile creativity, and magic from Adobe. Under the banner of “Creativity just got a lot more colorful,” Adobe revealed what’s coming next to the Creative Cloud pro video tools, showcasing the next versions at NAB 2015, where people could see them in person for the first time. As outlined in an earlier article, the next release offers re-invented color workflows, new mobile technologies, expanded collaboration with Creative Cloud Libraries, and awesome new mag...
April 28, 2015, 08:36 PM
http://provideocoalition.com/editorskeys-backlit-e...
Many editors want customized "Editing" keyboards for their edit suites. Why not take it to the next level with a nice backlit one from the team at EditorsKeys!
April 28, 2015, 08:34 PM
http://www.hitfix.com/news/why-1977-was-the-best-y...
1977 is the greatest year in film history. I'm positive. Why? It's the year that made you believe giant blockbusters could bring you state-of-the-art science fiction, modern (and enduring) takes on romance, compelling heroes, and a shrewd understanding of real people. It's the year that put us in touch with our most superheroic and most sentimental qualities, and that range alone is worth honoring.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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